Virtual Animal Genitals

-il donc là-bas is? (Carmen)

"Que se passe-t-il donc là-bas?" scene from Bizet's Carmen .

Zuniga:	Zuniga:
What does it down there?	What on Earth Is Going On Over There?
Sopranos:	Sopranos:
Help! Help! Do not you hear?	Help! Help! Do you hear?
Altos: Altos	:
Help! Help! gentlemen soldiers!	Help! Help! Master soldiers!
Sopranos:	Sopranos:
It Carmencita!	It's Carmencita!
Altos: Altos	:
No, no, not her!	No, no, it's not her!
Sopranos:	Sopranos:
is she!	It's her!
Altos: Altos	:
Not at all!	Not at all!
Sopranos:	Sopranos:
If, yes, she! She struck the first blows!	She did it, it's her! She Blows Struck The First!
Sopranos, Altos:	Sopranos, Altos (variously, to Zuniga):
Do not listen! Sir, listen to us! Do not listen to	them! Sir, listen to us!
Altos: Altos	:
Manuelita said and repeated aloud,	Manuelita Said, and in a loud voice prepend,
buy it without a donkey because he liked.	That She Would Without fail buy a donkey That She liked.
Sopranos:	Sopranos:
Then Carmencita, mocking as usual, Carmencita	Then, mocking In Her usual way, said
'An ass, why? A broom will suffice you. "	said: 'Why get a donkey? A broom Will Be Enough For You. "
Altos: Altos	:
Manuelita replied and said to his comrade and retorted	Manuelita Said To Her companion:
'To a certain ride, my ass you will!	'For a certain procession, my donkey Will Be Useful To You!
Sopranos:	Sopranos:
'And that day you can rightly be proud of:	' And you That Day Can Play The Proud woman with good right:
Two lackeys follow behind, t'émouchant with a vengeance. "	Two Will Follow lackey behind, brushing off The Flies You With All Their Might." [*]
Sopranos, Altos:	Sopranos, Altos:
Thereupon, both were taken to the hair!	At That Point, Both Of Them grabbed Each Other's hair!
Zuniga:	Zuniga:
To hell with all this chatter!	To the devil With all this chat!
Take José, two men with you and see in there that causes this noise.	Jose, take two men with You and See What There Is Causing inside this uproar.
Sopranos:	Sopranos:
It Carmencita!	It's Carmencita!
Altos: Altos	:
No, no, not her!	No, no, it's not her!
Sopranos:	Sopranos:
If, yes, she!	She did it, she did it, it's her!
Altos: Altos	:
Not at all!	Not at all!
Sopranos:	Sopranos:
She struck the first blows!	She Blows Struck The First!
Zuniga:	Zuniga:
Hola! Keep me all these women!	Guards! All These Women Get away from me here!
Sopranos, Altos:	Sopranos, Altos (variously, to Zuniga):
Sir! Sir! Do not listen!	Sir! Sir! Do not listen to them!
Sir, listen to us!	Sir, listen to us!
- It's Carmencita who struck the first blows!	- It 's Carmencita Who Struck The First blows!
- It's Manuelita who struck the first blows!	- It 's Manuelita Who Struck The First blows!
- La Carmencita! - Manuelita!	- Carmencita! - Manuelita!
- La Carmencita! - Manuelita!	-- Carmencita! -- Manuelita!
-- Si! -- Non! -- Si! -- Non!	-- Yes! -- No! -- Yes! -- No!
-- Elle a porté les premiers coups!	-- She struck the first blows!
-- C'est la Carmencita! -- C'est la Manuelita!	-- It's Carmencita! -- It's Manuelita!
-- Carmencita! -- Manuelita!	-- Carmencita! -- Manuelita!

* I read once that this refers to a punishment in which the offender was publicly paraded through town on a donkey with two officials beating her.

EDITED to make a minor correction, 10/4/10.


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Testing Negative One Day Before Period

"Cruda, funesta smania" / "La pietade in suo favore" (Lucia di Lammermoor)

"cruel, fatal craving" and "The pity in his favor," Henry's air and cabaletta from Lucia di Lammermoor . Henry (Henry) reacts to the news That His sister has secretly fallen in love with the son of an enemy family.

cruel, fatal craving	Harsh, deadly agitation
Thou hast awakened in my breast!	You Have Aroused in my breast.
is too, too horrible,	It is too, too horrible,
This fatal suspicion!	this fatal Suspicion!
It makes me shiver and freeze,	It makes me shudder and tremble,
raises the hair on the forehead.	it makes my hair stand on end.
Full of so much opprobrium	She fills me with so much shame,
Who nascea sister to me!	Who Was she born my sister!
Ah! Ere of love is wicked	Ah! Before revealing yourself to me
I tell you guilty, guilty as	of a love so treacherous,
If you hit a thunderbolt	if a thunderbolt struck you,
Fora rio less pain!	Would it be less bitter grief!
. . . .	. . . .
The pity in his favor	Mercy on her Behalf
Myths meaning in vain I said to	Suggests mild feelings to me in vain;
If I speak of revenge	only if you speak to me of vengeance
Only I can understand you.	Will I Be Able to Understand you.
Wretch! My fury	Wretches! My fury
Already on you tremendous roar. Already	Roars terribly above you.
The unholy flame that consumes	The sinful flame Which Consumes you
I quench with blood!	I will quench with blood!

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Oh, I loved (The Abduction from the Seraglio)

I have just figured out how to put letters with umlauts and accents in a day! Good, I needed that SuperPower ability.

"Oh, loved me," Konstanze's aria from Mozart's opera The Abduction from the Seraglio (The Abduction from the Seraglio).

Oh, I loved was so happy	Ah, I was in love, I was so happy,
did not know the pain of love,	I knew nothing of love's pain;
swore him allegiance, the beloved,	I swore constancy to him, my beloved,
was then my whole heart.	there I gave all my heart.
But how quickly faded my joy! Yet how quickly	my joy faded!
separation was my fearful Loos,	separation anxious was my fate,
and now floats my eyes in tears!	and now my eyes swim with tears!
Kummer ruht in meinem Schoos.	Grief rests in my breast.
 	 

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Example Confidentiality Statement

Change is in the wind!

Dear readers, I have made two changes that I would like to tell you about. The first is to the tags for operas that begin with the definite or indefinite article (the, a, an) in any language. It seemed to me that someone looking for I Pagliacci will be more likely to look under P than under I. Therefore, tags for operas that begin with an article have been changed from the form opera: i pagliacci to opera: pagliacci (i) . I hope that's clear. If you have any comments on these or other changes, please let me know.

The second change is that I have started cross-posting to Dreamwidth! You can follow opera_cat on Dreamwidth or opera_cat on LiveJournal. Hopefully the cross-posting will go smoothly, with entries on the two services corresponding to each other like F# and G-flat. Again, if you notice any problems or issues, please let me know.

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Im 14 And I Wear Thongs

Comment pourrait-il mourir le dédain? (Duet)

This charming duet is from Hector Berlioz's opera Béatrice et Bénédict , based on Shakespeare's Much Ado About Nothing .

The italics indicate spoken dialogue.

Thanks to my mother and Sonya Taaffe for helping me figure out a confusing sentence. Any remaining mistakes are entirely mine.







Like a heart

BÉATRICE	BEATRICE
Oh! sans doute, les héros de l'Iliade, Alexandre et César, ne sont rien auprès de vous, et ce serait pitié de parler, le même jour, de leurs exploits et des vôtres.	Oh, without doubt, the heroes of the Iliad, Alexander, and Caesar are nothing next to you, and it would be a pity to speak of their exploits and yours on the same day.
 	 
BÉNÉDICT	BENEDICK
Eh! quoi, signora Dédain. Vous vivez encore?	What, Lady Disdain. Are you still alive?
BEATRICE BEATRICE
disdain How could he die? How Could	disdain die?
You're alive!	You are living!
We would be born	Would You see it born
If no, if it didn't	exist;
And here as low	and as long as here below
you dare look, you dare to	APPEAR
For his pleasure	for its good pleasure
He will not leave.	It Will never wish to leave.
BENEDICT	Benedick
Aimable Disdain! one is too happy	Kind Disdain! One Is too happy
to endure your moves!	in enduring your blows!
Disdain kind!	Kind Disdain!
What am I master	Am I not a master
To follow your footsteps! Has your	followings steps?
Yes, both here below	Yes, as long as here below
You deign to appear	you deign to APPEAR
To charm our eyes to charm	o eyes,
Who wants to go to heaven?	Who Would wish to go to the skies?
BEATRICE BEATRICE
I pity your irony.	Your sarcasm IS pitiful.
BENEDICT	Benedick
Me, ridicule! Although, I deny it.	I mock? Certainly, I deny it.
But frankly, no,	Purpose Frankly, no,
You're right.	you are right.
I'm insensitive,	I am hard-hearted,
Feeling inflexible	Of An unyielding temperament,
And it's a real pleasure for us	and It Is Truly Fortunate for us
adored by all women,	That, though I am Adored by All Women,
ignited, despite myself, so many souls, setting	So Many Hearts aflame In Spite of Myself,
I'm not loved you. I am not	loved by you at all.
BEATRICE BEATRICE
Do not worry about it!	Do not have "any worries On That account!
BENEDICT	Benedick
I'm insensitive, and so on.	I am hard-hearted, etc..
BEATRICE	BEATRICE
Do not worry about it!	Do not have "any worries On That account!
BENEDICT	Benedick
From you displease in all I will do my study.	I Will make it my study to displease you in everything.
too much grief I despair of you!	I Would Be mortified at driving you to despair!
BEATRICE BEATRICE
You can effortlessly, Lord, to reassure you. You May	set your mind at ease, Sir, Without effort.
Beatrice and Benedict	BEATRICE AND Benedick
But what strange pleasure	Purpose What strange pleasure
Found I to irritate!	I find annoying in him / her!
Like a heart that revenge	Like a heart That Takes Revenge
I feel my own leap and throb. I feel mine	jump and beat Faster.
A shiver of anger	A thrill of anger
me when I take him / her know.	sixteen me when I see him / her.
His laugh annoys me	His / her laughter infuriates me
And I tremble in his voice.	and I tremble at his / her voice.
BENEDICT	Benedick
God of heaven! Give me grace God in heaven	! Do Me The Favor
Not to grant me woman, not of	Granting me a wife,
[showing Beatrice]	[informal & informal Beatrice]
Blonde especially!	Especially a blonde one!
BEATRICE BEATRICE
What threat!	What a Threat!
BENEDICT	Benedick
Better to send me to hell.	It's Better to send me to hell.
BEATRICE BEATRICE
God of heaven! Give me grace God in heaven	! Do me the Favor
not to intrude on a husband, not of	Imposing a husband I am,
[showing Benedict]	[informal & informal Benedick]
Barbu especially! Especially	a bearded one!
BENEDICT	Benedick
What threat!	What a Threat!
BEATRICE BEATRICE
I ask both knees.	I beg it on my knees.
Beatrice and Benedict	BEATRICE AND Benedick
But what strange pleasure	Purpose What strange pleasure
Found I to irritate!	I find annoying in him / her!
Like a heart that revenge	That Takes Revenge
I feel my own leap and throb. I feel mine	jump and beat Faster.
A shiver of anger	A thrill of anger
me when I take him / her know.	sixteen me when I see him / her.
His laugh annoys me	His / her laughter infuriates me
And I tremble in his voice.	and I tremble at his / her voice.

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Stolto! a un sol mio grido (I Capuleti ed i Montecchi)

"Deserto è il luogo . . . Stolto! a un sol mio grido," scene and duet for Romeo (mezzo-soprano) and Tebaldo (tenor) from Bellini's opera I Capuleti ed i Montecchi (The Capulets and the Montagues). In Bellini's opera, which is based on the same story as Shakespeare's Romeo and Juliet , Tybalt (Tebaldo) is Juliet's unwelcome suitor in place of Paris.

Thanks to Sonya Taaffe for helping me figure out a confusing sentence. Any remaining mistakes are entirely mine.

ROMEO	ROMEO
Deserto è il luogo.	The place is deserted.
Di Lorenzo IRNE can I trace.	I can go in search of Laurence.
Cruel Lorenzo! Laurence	Cruel!
m'oblia, too, in his wanderings, he Forgets	Even me in my misfortune,
and destiny conspired with my tyrant	and, joined with my cruel destiny,
m ' leave me alone in a lot of fuss.	he abandons me to myself alone in Such grief.
Vadas. Someone 's coming. . .	Shall I go. Someone is approaching . . .
Cruel stumble!	Cruel encounter!
THEOBALD	Tybalt
Who are you, who dare	Who are you, who give
bypassed sneak in these walls?	to go about furtively Within These Walls?
you not hear?	Do you hear?
	ROMEO ROMEO
Do not Come nearer.	Do not approach.
clouded the fura know.	It Would Be Fatal to Recognize me.
THEOBALD	Tybalt
I know you daring to speak, I Recognize You	by your insolent speech,
extreme anger in you gave me.	by the great anger you awaken in me.
ROMEO ROMEO
Well look at me and shakes.	Very well - look at me, and tremble.
THEOBALD	Tybalt
Fool! One cry to	Fool! At a single Shout of mine,
I very much to punish.	I would Have a thousand men to punish you.
victim But you're	But you are a victim
keep it in this sword.	reserved to this sword.
ROMEO ROMEO
Come: I despise you, and I challenge	Come: I scorn you, and I defy thee
your followers.	your followers with you.
You covet between us	You Wish That will between us
that comes in the Alps and Tues	the Alps and the sea Were placed.
THEOBALD	Tybalt
A hostile God, a Fate, Divinity	A hostile, to Fate,
that the reason subs. . .	Which deprives you of your reason. . .
ROMEO ROMEO
arms!	To arms!
	ROMEO ROMEO
thee pushed these thresholds	Has urged you across this threshold
to meet death.	to meet death.
THEOBALD	Tybalt
arms!	To arms!
ROMEO, ROMEO	THEOBALD, Tybalt
A hostile God, a Divinity Doom	A hostile to Make
led thee in these thresholds	has urged you across this threshold
to meet death. To arms!	to meet death. To arms!
	[They are about to fight.]
	 
TEBALDO	TYBALT
Arresta.	Hold.
 	 
ROMEO	ROMEO
Qual mesto suon echeggia?	What mournful sound is echoing?
 	 
CHORUS	CHORUS (behind the scenes)
Ahi sventurata!	Alas, unfortunate girl!
 	 
ROMEO	ROMEO
Quai voci! Oh Dio!	What voices! O God!
TEBALDO	TYBALT
Presentimento orribile!	Horrible foreboding!
 	 
 	[A funeral procession appears and proceeds along the gallery.]
 	 
CHORUS	CHORUS
Peace to your beautiful soul	Peace to your soul fair
after cash Affan!	after so many Sorrows!
ROMEO ROMEO
Ah! I hear!	Ah! What do I hear?
THEOBALD	Tybalt
Oh God!	O God!
	CHORUS CHORUS
Live, if not for men,	You live, if not Among Men,
alive, or Juliet, in heaven.	you live, or Juliet, in heaven.
	ROMEO ROMEO (crying out)
Juliet!	Juliet!
CHORUS CHORUS
Live, or Juliet, in heaven,	You live, or Juliet, in heaven.
ah! unfortunate!	Ah, unfortunate girl!
THEOBALD	Tybalt
Off!	Dead!
ROMEO	ROMEO
Ah barbaro!	Ah, cruel! [Romeo is weeping.]
Oh mia Giulietta! io t'ho perduta!	O my Juliet! I have lost you!
 	 
 	[Tybalt and Romeo remain motionless for a few moments. Romeo recovers first and, dropping his sword, he throws himself to his knees before Tybalt in desperation.]
 	 
ROMEO	ROMEO
She is dead, wretch;	She is dead, wretched man;
died of grief for you.	dead of grief through you.
Ah! pay at last your heart	Ah! Satisfied at last is your heart's
the persistent cruelty.	persistent cruelty.
THEOBALD	Tybalt
Ah! you more desperate,	Ah! I am more desperate Than You,
most of you I am pierced. . .	I am more stricken Than You. . .
ah my love as a crime	Ah, with my love, like a crime,
reproaching my heart goes.	my heart is reproaching me.
	ROMEO ROMEO
For you died of grief.	She is dead of grief through you.
TEBALDO	TYBALT
Son di te più disperato . . .	I am more desperate than you . . .
 	 
ROMEO	ROMEO
Sei pago alfin.	You are satisfied at last.
 	 
TEBALDO	TYBALT
Ah! l'amor mio	Ah, with my love
rinfacciando il cor mi va.	my heart is reproaching me.
	ROMEO ROMEO
Sven, ah! sven desperate. . .	Slay, ah, slay a desperate man. . .
to 'your shots Senator present. . .	I offer my breast to your blows. . .
highest good in this moment	The Highest Good at Such a moment
ah! to die for me will be.	will be for me to die.
THEOBALD	Tybalt
Vivi, ah! alive, or unfortunate,	Live, ah, live, wretched man,
that at least you do not have remorse, at least	you who Do not have remorse;
ah! if not to my logs,	ah, if you do not cut my life short,
ah! the pain will kill me.	grief will kill me.
THEOBALD	Tybalt
Ah taci.	Ah, be silent.
 	 
ROMEO	ROMEO
È morta.	She is dead.
 	 
TEBALDO	TYBALT
Pietà!	Have pity!
 	 
ROMEO	ROMEO
È morta.	She is dead.
 	 
TEBALDO	TYBALT
Ah! l'amor mio	Ah! With my love
rinfacciando il cor mi va.	my heart is reproaching me.
 	 
ROMEO	ROMEO
Sei pago alfin.	You are satisfied at last.
 	 
TEBALDO	Tybalt
Ah! ceases.	Ah! Stop.
	ROMEO ROMEO
Sven, ah! sven desperate. . .	Slay, ah, slay a desperate man. . .
to 'your shots Senator present. . .	I offer my breast to your blows. . .
highest good in this moment	The Highest Good at Such a moment
ah! to die for me will be.	will be for me to die.
TEBALDO	TYBALT
Vivi, ah! vivi, o sventurato,	Live, ah, live, wretched man,
tu che almen non hai rimorso,	you who at least do not have remorse;
ah! se i miei dì non tronchi,	ah, if you do not cut short my life,
ah! il dolor m'ucciderà.	grief will kill me.

Dll Function Call Crashed

Rimembranza Oh! (Duet from Norma)

Here is a scene and duet from Bellini's opera Norma . This opera (with very little historical accuracy, but lots of beautiful music) is set in Roman-occupied Gaul. The High Priestess Norma, although the priestesses are sworn to virginity, has secretly yielded to love and borne two children to the Roman governor Pollione. In this scene a young priestess, Adalgisa, comes to Norma with a confession. Norma is sympathetic, not yet knowing the identity of Adalgisa's lover: the fickle Pollione.







Del primero

NORMA	NORMA
Adalgisa!	Adalgisa!
 	 
ADALGISA	ADALGISA
(Alma, costanza.)	(Be steadfast, my soul.)
UNDER RULE
Come here, or girl, Come here. How	forward, young woman, as a forward.
And why are you trembling?	And why are you Trembling?
serious I heard that you want to reveal my secret.	I Heard That You Wish to reveal a major secret to me.
ADALGISA	ADALGISA
Tis true. . . but, ah! I stripped	It is true. . . But please, divest yourself of the heavenly
austerity, austerity	of the heavenly
shining in your eyes.	Which shines in your eyes.
Give me courage,	Give me courage,
without any veil which I know That without	Any concealment
you clear the core.	May I reveal my heart to you.
UNDER RULE
Embrace me, and talk! What t'afflige?	Embrace me, and speak! What troubles you?
ADALGISA	ADALGISA
Love! Do not be angry.	Love! Do not be angry.
Long I fought to stifle it;	For a long time I have Fought to stifle it;
won all my strength, all remorse.	it has vanquished all my strength, all my remorse.
Ah, you do not know what purdianzi oath fea!	Ah, you do not know what an oath I made just now!
flee from the temple, the altar betray	To flee the temple, to betray the altar
to which I am associated. . .	Which I am bound to. . .
abandon their country.	to forsake my country.
UNDER RULE
Ouch! unfortunate!	Alas, unhappy girl!
your morning is already disturbed the serene?	Is the early morning calm of your troubled Already?
How and when did this love come to you?	But how and when was Such A flame born in you?
ADALGISA	ADALGISA
From a glance, a sigh,	From a single glance, from a single sigh,
in the sacred forest at the foot of the altar	in The Sacred Wood, at the foot of the altar
where I prayed to the God I trembled,	WHERE I was praying to the God. I Trembled,
stopped on my lips the prayer: the prayer	halted upon my lips;
graceful and wholly absorbed in that aspect, and	, Entirely engrossed in His lovely appearance,
another sky gazing thought, I Believed	Another I beheld heaven,
another heaven in him.	Another HIM in heaven.
UNDER RULE
(Oh memories! I was so rapt	(Oh, memory! I was ravished Thus
to saw his face.)	oz by looking at His face.)
ADALGISA	ADALGISA
Ma. . . do not you hear me? But	. . . Are not you listening to me?
UNDER RULE
Segui. . . I hear you.	Go on. . . I am listening.
ADALGISA	ADALGISA
Sola, furtiva, the temple	Alone, stealthily, at the temple
I often waited for;	I Often Waited for him;
and each one of the most fervent	and Every Day more ardent
grew the burning flame.	Grew the burning flame.
UNDER RULE
(I burned the same way.)	(Thus I burned myself.)
ADALGISA	ADALGISA
Come, he says, grant	How, He Said, grant
that I will kneel at the feet;	That I May kneel at your feet;
let me breathe the aura	let me breathe the breath of
your sweet sighs	of your sweet sighs;
	UNDER RULE
(Oh memories! I was so deceived!)	(Oh, memory! Seduced Thus I was!)
ADALGISA	ADALGISA
of your beautiful hair the rings	the ringlets of your beautiful hair to give me
berries!	give me so I can kiss them!
UNDER RULE
(Oh dear words! So my lover spoke	(Oh, dear words! Thus he uttered Them,
it was in my heart the way.)	Thus he found the way to my heart.)
ADALGISA	ADALGISA
sweets such as a harp	Sweet as a Harmonious Harp
me were his words;	Were His words to me;
	smile in her eyes smiling in His eyes
saw a more beautiful sun .	I saw a more beautiful sun.
UNDER	UNDER
(The charm was its mine.)	(Her Was My own enchantment.)
ADALGISA	ADALGISA
I was lost, and they are;	I was lost, and I am;
of MUST have your forgiveness.	I need your pardon.
UNDER RULE
Ah! weep: I pity.	Ah! Dry Your Tears, I Will Have pity.
ADALGISA	ADALGISA
Ah! you my staff, my guide,	Ah, direct me and guide me, reassure me
or reproach,	reassure me, or scold me,
UNDER RULE
Ah! weep.	Ah! Dry your tears.
ADALGISA	ADALGISA
save me from myself, save me from myself	,
save me from my heart.	save me from my own heart.
UNDER RULE
Ah! weep:	Ah! Dry your tears;
eternal knot does not bind you to the air.	an eternal bond does not tie you to the altar.
ADALGISA	ADALGISA
Ah! repeat, or heaven, repeat	Ah! repeat, oh heaven, repeat
so flattering accents.	Such encouraging words.
UNDER RULE
Ah, yes, take heart and hold me.	Ah, yes, take heart and embrace me.
forgive you and weep.	pardon and I sympathize with you.
From your vows you free, I	free you from your vows,
your ties I frango.	I break your bonds.
the dear object unita,	United to your dear love,
vivrai felice ancor.	you will still live happily.
 	 
ADALGISA	ADALGISA
Ripeti, o ciel, ripetimi	Repeat, oh heaven, repeat
sì lusinghieri accenti:	such encouraging words;
per te s'acquetano	through you are quieted
i lunghi miei tormenti.	my long torments.
ADALGISA	ADALGISA
You make me life, You give life to	me again,
if love is not guilty.	if love is not a sin.
UNDER RULE
will live much happier.	You will still live happily.

Wedding Anniversary Greetings For Parents

Si può? (I Pagliacci)

"May I?" Prologue to Ruggero Leoncavallo's opera I Pagliacci .


Consider

May I? You can?	May I? May I?
Lord! Gentlemen!	Ladies! Gentlemen!
Excuse me if I come from sol.	Forgive me if I present myself alone.
I am the Prologue:	I am the Prologue:
Because even the ancient masks on the stage makes the author,	Since the author again puts the ancient oz masks on stage,
in hand and wants to resume the old customs,	he wishes to resume the old customs in part,
and you send me again.	and he sends me to you anew.
But to tell you as before:	But not to tell you, as formerly:
"The tears that we strew are false!	" The tears we shed Which are false!
Of pangs and de 'Our suffering may not be alarmed! "No!	Do not be alarmed at Our agony and suffering!" No!
The author has instead tried to paint a glimpse of life. The author has	INSTEAD Sought to paint a piece of life for you. He
for maximum sun that the artist is a man	He has for His maxim That the artist is only human
and for men and write properly.	and he ought to write for human beings.
And the truth ispiravasi.	And he Took His inspiration from the truth.
A nest of memories at the bottom of the soul was singing one day,	A nest of memories Was singing one day in the depths of His soul,
and with real tears and wrote, and he	wrote with real tears, and sobs
time to beat!	and His sobs beat time for him!
So, you'll love so love each other as human beings;	Well then, you will see Human Beings As They love loving;
see de 'hatred of the sad results.	you will see the fruits of hatred grim.
the pangs of grief, you hear screams of rage and cynical laughter!	You will hear the pangs of grief, cries of fury, laughter and ironic!
And you, rather than our poor gabbana of actors,	And you, Rather Than Our poor costumes as Actors,
the nostr'anime considered	Our Souls,
as we are men of flesh and blood,	since we are men of flesh and blood, and that
quest'orfano world of the spirit through the air like you!	and That We breathe the air of this world orphan just like you!
The concept I told you. . .	I have told you the concept. . .
Or listen as he has done.	Now listen to how it unfolds.
Come on! Start!	Let's go! Begin!
	 

Team Slogans For Lacrosse

Ave Signor (Mefistofele)

"Ave Signor," Mefistofele's first aria from Boito's opera Mefistofele . The Prologue of the opera takes place in heaven. In this aria, Mephistopheles (the Devil) shows up to mock God, the heavenly hosts, and humanity. Thanks to the people at linguaphiles for helping me figure out a tricky bit of grammar. As always, any remaining mistakes are entirely mine.

Ave Signor.	Hail, Lord.
Perdona se il mio gergo	Pardon me if my jargon
It leaves a bit 'from behind	falls a little behind
The Supreme Tivat of paradise;	the supreme songs of praise of Paradise;
Forgive me if my face	pardon me if my face
It brings the beam	Does not Have the radiance
That garlanded garlands horsehair	That locks the
senior cherubim cherubim	of the high ;
Forgive me if	saying pardon me if in speaking
	I run the risk I run a risk
a buscar some hisses.	burdens of getting boos .*
The tiny land of God piccin	The little god of the earth little
degenerate and wanders evermore,	Continually degenerates and goes astray,
E, at par with cricket	and, like a cricket
leaping, hopping	randomly, by chance
between the stars pushes the nose, His nose pokes	Among the stars,
Then with tenacious fatuity superb	then with stubborn proud fatuousness
makes her trill in the grass.	Makes His Trilling in the grass.
arrogant dust! Atom arrogance!	Arrogant dust! Atom saucy!
A fancy man!	Delusion of man!
And this is the	Makes And he so much of
Quell'ebbra illusion	That drunkard's illusion
Che'egli name: Reason, Reason.	Which he calls Reason, Reason.
Ah! Yes, Divine Master,	Ah! Yes, Divine Master,
	In the dark background to the dark bottom
the master of the world collapses, tumbles	the master of the world,
And it gives me more heart ,	and I No Longer Have The Heart -
Tant 'is weakened,	he is so worn down -
to tempt him to evil.	HIM to tempt to evil.

* Literally "whistling"

Sayings For Harley Davidson

icon miley cyrus.

credit or comment.

Soul Silver Shiny Chaining

icon miley cyrus.

comment or credit if you use.

Females Masterbateing

presentation?

Mh, I do not know what to say, then I simply present.

About me enough to know that a normal girl, but not like all the others. I admit to being strange to have different passions and unusual for a fourteen year old. I like to write, makes me feel good, I free the head of every thought and I like to sing, we can say that music is a little bit my best friend, the one that's always when you need it , in the sad moments and happy moments, just put a pair of headphones and she is always.
In any case, I do not lack friends, I have many or perhaps even too many. I was disappointed, and many others continue to do so.
Those who are looking for you only when they need or because they need a hand, those instead you write just because I'm bored and know that you're there at all times. Perhaps this is also that I cheated, too fond of me and easily to many people who often do not reciprocate my feelings, and feelings to understand what love is friendship.
But rather than talk about my personal life I would speak of another life, one that continues to make me believe in myself, day after day without tiring. This other life I am talking about is Justin Bieber. It may seem strange, is strange indeed. Fall in love with a singer? It 'one thing to say the least as children, but what else could be otherwise? The passion I have for him is something so big that it could also explode inside me, something that could become uncontrollable, something that could kill me.
He and his songs, well .. I'm all that I have always tried, and then those sweet eyes, those arms so charming, her hair always perfect. The love-because love is what I feel for him, is something I do not know how to explain, is a drug for me, but I think I can help it .. for a while, of course .
Anyway, he is not the only guy who takes my heart, because there too, my Mils, the beautiful girl from the fantastic voice. Then of course there are other singers that I love with all my soul, but to me they are the most important.

Laura ♥