Spammers
This is an LJ-only post, since it has only been a problem on LJ. Recently this account has had a influx of spammers leaving anonymous comments. If you are not a spammer and wish to leave a legitimate comment, please sign your comment with some sort of a name. It can be a pseudonym, it can be the name of an opera character -- I don't care -- but put something. This will let me know that I am dealing with a person and not a spambot. Thank you!
In spite of appearances, I have not forgotten about this journal. I can't promise to start updating it again immediately, but as the Count of Monte Cristo says, "Wait and hope."
Sunday, February 27, 2011
Friday, January 7, 2011
How To Change The Starter On A Yamaha Gp1200
MOVED! Last updated 17/11 8059
As managing two accounts is a challenging thing for a trooppo not want to do anything like me, I move the doujinshi on my other journal:
squalotta . Add the other side of all the friends I had here ...
Goodbye!
As managing two accounts is a challenging thing for a trooppo not want to do anything like me, I move the doujinshi on my other journal:
Goodbye!
Monday, December 27, 2010
Portable Shampooing Sink
And I'm back after months of mold to post 8059. And it was really now, because I'm gone all of a piece is not posting anything.
Anyway here they are 74 if not mistaken. I give you the link to the mediafire folder that otherwise it takes me to post all infinity. They are all, or almost R18.
Friday, December 3, 2010
How To Make A Painful Thong
little one shoot.
is in italian. / / does not have an exact title.
pushed the big door. the sound of her heels rang for school.
all of the students looked as if it were different from them.
had only been a little more time in the bathroom that morning,
maybe just to have a better start to charge
the first day in that school fighettini.
could not help being curious, we also knew that there was that thing ..
god, what's his name? Bibra giastin ..? Assisi, giastin Bibra.
licensed believed that fool who knows who. oh, what do you want?
there were times when he wanted to pull his only two slaps,
to make them understand that the world does not revolve around him.
adjusted his shirt and continued to walk down that long hallway.
.. there was a smell of the canteen, that made her dizzy. 'But they are all so high here?' he thought.
'all attracted to shiny, another minute and I swear I'm going'. took her purse from the igenizzante
and began to sprinkle here and there. the others watched and laughed.
'Hey, be careful. this is genuine leather '. that blond. Oh God, yes. giastin Bibra.
even stopped, pretended nothing. 'I was talking to you'. replied the guy.
'I had not realized'. - 'And I do not apologize?' - 'I?' - 'Should'. - 'Okay'.
turned again heading towards the office. 'That people'. shouted, referring to her
She continued on her way. ah yes, not even occurred. her name is georgia.
funny perhaps, but strangely she liked. almost sixteen and a half.
but now we return to school. began to speak to his secretary who gave her time and helped a little
to orientate in the new school. 'How come you transferred via dear?' -
'my father, his job .. we are always around.' The woman stood silent, then opened the door of a classroom.
'good morning teacher, she's the new girl'. -
'oh, I waited a long time. Sit down there, there is a place for you '.
looked at carefully. by no, that was in front of hominid.
incredible. strongly favors the books on the counter while
that being moved in his back. 'Look, do not bite'. Geo
said jokingly. he looked to be pissed.
was just a child, not you could discuss this.
the professor began to speak, presented the class and then began to question.
'.. Mr. Bieber is'. - 'No, prof.' - 'Has not studied?' -
'no, yes. but with the yolks and the rest, I'm tired '.
pft, typical of the superstar
* took off his jacket, all that nervous against him made her hot.
'come from or do you prefer a nice two?' - 'Mh, the second'. -
'decision today seems, well then call Wilson'.
little boy stood up, the classic nerd with the high-waisted trousers and shirt inside.
'certainly have made a good impression'. the geo whispered.
'you should just shut up ...' - 'I'm sorry eh'. - 'Ah, you've apologized.'
rejoined slowly to his desk and leaned forward slightly.
'.. then why are you here?' - 'May be my cabbage?' -
'right, anyway if you want to go to lunch for a ride I'll take you'. -
'thanks, but .. no.
'come on, I know all the right ones here'. - 'When you say it is not, is NO.' -
'I just wanted to be polite ...' - 'It'll be another time'.
blond guy on the helmet, there had been bad, it was obvious.
but she did it matter? it was a small viziatello, would only have had to put his head in place.
the bell rang and ended two hours those endless.
took the slip of paper from her bag and tried to decipher
understanding in what direction should have gone. 'I knew that you needed my help .. follow me'.
giastin took her by the arm, making her run up the stairs.
'ooh, calm down. I have heels! ' - 'You better not put them eh, however this is the other class'. -
'thank you, now you can go'. - 'No, I too have lessons here.' - 'And I thought'.
stood beside the wall was stressful
again be presented in each class and watch those heads of watermelon, smiling.
fortunately that father sat across the classroom,
was close to his friends who kept watching. horny blennies.
and rang the bell also. another hour and would return home .
comment if you want another piece (;
is in italian. / / does not have an exact title.
pushed the big door. the sound of her heels rang for school.
all of the students looked as if it were different from them.
had only been a little more time in the bathroom that morning,
maybe just to have a better start to charge
the first day in that school fighettini.
could not help being curious, we also knew that there was that thing ..
god, what's his name? Bibra giastin ..? Assisi, giastin Bibra.
licensed believed that fool who knows who. oh, what do you want?
there were times when he wanted to pull his only two slaps,
to make them understand that the world does not revolve around him.
adjusted his shirt and continued to walk down that long hallway.
.. there was a smell of the canteen, that made her dizzy. 'But they are all so high here?' he thought.
'all attracted to shiny, another minute and I swear I'm going'. took her purse from the igenizzante
and began to sprinkle here and there. the others watched and laughed.
'Hey, be careful. this is genuine leather '. that blond. Oh God, yes. giastin Bibra.
even stopped, pretended nothing. 'I was talking to you'. replied the guy.
'I had not realized'. - 'And I do not apologize?' - 'I?' - 'Should'. - 'Okay'.
turned again heading towards the office. 'That people'. shouted, referring to her
She continued on her way. ah yes, not even occurred. her name is georgia.
funny perhaps, but strangely she liked. almost sixteen and a half.
but now we return to school. began to speak to his secretary who gave her time and helped a little
to orientate in the new school. 'How come you transferred via dear?' -
'my father, his job .. we are always around.' The woman stood silent, then opened the door of a classroom.
'good morning teacher, she's the new girl'. -
'oh, I waited a long time. Sit down there, there is a place for you '.
looked at carefully. by no, that was in front of hominid.
incredible. strongly favors the books on the counter while
that being moved in his back. 'Look, do not bite'. Geo
said jokingly. he looked to be pissed.
was just a child, not you could discuss this.
the professor began to speak, presented the class and then began to question.
'.. Mr. Bieber is'. - 'No, prof.' - 'Has not studied?' -
'no, yes. but with the yolks and the rest, I'm tired '.
pft, typical of the superstar
* took off his jacket, all that nervous against him made her hot.
'come from or do you prefer a nice two?' - 'Mh, the second'. -
'decision today seems, well then call Wilson'.
little boy stood up, the classic nerd with the high-waisted trousers and shirt inside.
'certainly have made a good impression'. the geo whispered.
'you should just shut up ...' - 'I'm sorry eh'. - 'Ah, you've apologized.'
rejoined slowly to his desk and leaned forward slightly.
'.. then why are you here?' - 'May be my cabbage?' -
'right, anyway if you want to go to lunch for a ride I'll take you'. -
'thanks, but .. no.
'come on, I know all the right ones here'. - 'When you say it is not, is NO.' -
'I just wanted to be polite ...' - 'It'll be another time'.
blond guy on the helmet, there had been bad, it was obvious.
but she did it matter? it was a small viziatello, would only have had to put his head in place.
the bell rang and ended two hours those endless.
took the slip of paper from her bag and tried to decipher
understanding in what direction should have gone. 'I knew that you needed my help .. follow me'.
giastin took her by the arm, making her run up the stairs.
'ooh, calm down. I have heels! ' - 'You better not put them eh, however this is the other class'. -
'thank you, now you can go'. - 'No, I too have lessons here.' - 'And I thought'.
stood beside the wall was stressful
again be presented in each class and watch those heads of watermelon, smiling.
fortunately that father sat across the classroom,
was close to his friends who kept watching. horny blennies.
and rang the bell also. another hour and would return home .
comment if you want another piece (;
Tawnee Stone Pregnant
awee! you follow me ;)
http://twitter.com/heymrsbieber here it is my twitter my tumblr
http://saywhatbieber.tumblr.com/
and just ask if you want a follow-back
peace : 3
http://twitter.com/heymrsbieber here it is my twitter my tumblr
http://saywhatbieber.tumblr.com/
and just ask if you want a follow-back
peace : 3
Wednesday, November 17, 2010
Parts Of A Ship (labeled)
Then loading the first 70 passes 8059 I = __ = And it takes a while.
Then I got into her head to put the doujinshi of Togainu nu Chi, I have 60, and more. I decided to also because they are the most sluts in my possession * CC *
Ah yes and the pairing will be: Shiki And remember:
MOTHER WANTS BENEEEEEEEEEEEEEEEEE
SKSKBBDL
Pairing: 48/27
Language: English
Author: Kanakana Shotegai
Type: R20 (? )
Download: www.mediafire.com/
Supa Tsuna no Hon
Pairing: 48/27
Language: Japanese
Author: ?
Type: Wonderfully R18
Download: www.mediafire.com/
Neji
Pairing: 48/27
Language: Japanese
Author: Usapu +
Type: R18
Download: ; www.mediafire.com/
DT
Pairing: 48/27
Language: English
Author: Nemunoki
Type: R18
Download: ; www.mediafire.com/
SPTN
Pairing: 48/27
Language: English
Author: Love Analysis
Type: R15
Download: www.mediafire.com/
Otonarisan no Jijou Shinkon
Pairing:
Language: Japanese
Author: On Mizushiro
Type: Shonen-ai
Download: www.mediafire.com /
Rebirth * I have not understood this oo *
Pairing:
Language: English
Author: I do not understand D:
Type: Shonen-ai
Download: www.mediafire.com/
S-hope do not hate me more DDDDDDDDDDDDDDDDDD: Draws I HATE PEOPLE, WHY '?!
Sunday, November 14, 2010
Marriage Certificate Procedure Aurangabad
SUPANAH / TUNA
Finally the train has passed and the desire is in part returned. In part, eh! Do not believe I'll be posting stuff all day. AND NOW
SESSANTANOVEDICIOTTO have arrived! sbirciona My daughter has seen something, but I saw the most filthy, KUFUFU! I also changed the theme, but nobody cares. Only it is too large. But nobody cares.
at all (at all would be correct), right, affecting 69 Finally the train has passed and the desire is in part returned. In part, eh! Do not believe I'll be posting stuff all day. AND NOW
SESSANTANOVEDICIOTTO have arrived! sbirciona My daughter has seen something, but I saw the most filthy, KUFUFU! I also changed the theme, but nobody cares. Only it is too large. But nobody cares.
Author:
Milk (?)
Type: Shonen-ai
Download:
www.mediafire.com/
I'm Gonna Scream
Pairing:
6918 Language: English
Author: Hina
Yaekumo Type: Shonen-ai
Download:
www.mediafire.com/
Cannibalism
Pairing:
6918 Language: English
Author: Enomoto
Curo Type: Shonen-ai
Download:
www.mediafire.com/
Kiss Me If You Can
Pairing:
6918 Language: Japanese
Author:
zizza ( ?) Type: Shonen-ai
Download:
www.mediafire.com/
(? Nonneholaminimaidea)
Pairing:
6918 Language: Japanese
Author:
(?) Type: R18
Download:
www.mediafire.com/
Heavy Starry Chain
Pairing:
6918 Language: Japanese
Author: Hina
Mizunoto Type: Shonen-ai
Download: ;
www.mediafire.com/
Special Day
Pairing: 6918
Language: English
Author:
Amatou Type: R18
Download:
www.mediafire.com/
HM69
Pairing:
6918 Language: Japanese
Author:
Amatou Type: R18
Download:
www.mediafire.com/
Miyako kore ta natsu ten NetSuite Jaku teki ka
Pairing:
6918 Language: Japanese
Author:
p-neko Type: R18
Download:
www.mediafire.com/
Shoumonai White Day Hon no
Pairing: 1869
(!!!!!!) Language: English
Author:
Amatou Type: R18
Download:
www.mediafire.com/
Finitto! I hope that Close is satisfied. ù_____ù
Pairing:
6918 Language: English
Author: Hina
Yaekumo Type: Shonen-ai
Download:
www.mediafire.com/
Pairing:
6918 Language: English
Author: Enomoto
Curo Type: Shonen-ai
Download:
www.mediafire.com/
Pairing:
6918 Language: Japanese
Author:
zizza ( ?) Type: Shonen-ai
Download:
www.mediafire.com/
Pairing:
6918 Language: Japanese
Author:
(?) Type: R18
Download:
www.mediafire.com/
Pairing:
6918 Language: Japanese
Author: Hina
Mizunoto Type: Shonen-ai
Download: ;
www.mediafire.com/
Pairing: 6918
Language: English
Author:
Amatou Type: R18
Download:
www.mediafire.com/
Pairing:
6918 Language: Japanese
Author:
Amatou Type: R18
Download:
www.mediafire.com/
Pairing:
6918 Language: Japanese
Author:
p-neko Type: R18
Download:
www.mediafire.com/
Pairing: 1869
(!!!!!!) Language: English
Author:
Amatou Type: R18
Download:
www.mediafire.com/
Finitto! I hope that Close is satisfied. ù_____ù
Sunday, November 7, 2010
Pediatric Cardiologist Salary Canada
Pronta io son (Don Pasquale)
"Pronta io son," soprano/baritone duet from Donizetti's comic opera Don Pasquale .
Ernesto wishes to marry Norina, but his crotchety old uncle, Don Pasquale, disapproves of the match because Norina is poor. To punish his nephew, Don Pasquale resolves to take a wife and disinherit him. Doctor Malatesta, a friend of the couple, comes up with a plan to trick Don Pasquale. In this scene, he explains the plan to Norina, who joins in enthusiastically.
This entry was originally posted at http://opera-cat.dreamwidth.org/15490.html . There are
comments on Dreamwidth. LiveJournal users may comment there using OpenID.
"Pronta io son," soprano/baritone duet from Donizetti's comic opera Don Pasquale .
Ernesto wishes to marry Norina, but his crotchety old uncle, Don Pasquale, disapproves of the match because Norina is poor. To punish his nephew, Don Pasquale resolves to take a wife and disinherit him. Doctor Malatesta, a friend of the couple, comes up with a plan to trick Don Pasquale. In this scene, he explains the plan to Norina, who joins in enthusiastically.
| NORINA | NORINA |
| E il dottor non si vede! | And I don't see the doctor! |
| Oh, che impazienza! | How impatient I am! |
| Del romanzetto ordito a gabbar don Pasquale, | Of the little story hatched to dupe Don Pasquale, |
| ond'ei toccommi in fretta, | which he briefly touched on, |
| poco o nulla ho capito, | I understood little or nothing, |
| ed or l'aspetto... | and now I'm waiting for him . . . |
| | |
| [A servant enters, gives her a letter and leaves. NORINA looks at the address.] | |
| | |
| La man d'Ernesto... io tremo. | Ernesto's handwriting . . . I tremble. |
| | |
| | [She reads the letter. She shows signs of surprise and then of dismay.] |
| | |
| Oh! me meschina! | Oh! Unhappy me! |
| | |
| | [Enter MALATESTA.] |
| | |
| MALATESTA | MALATESTA |
| Good news, Norina, our ploy ... | Good news, Norina! Our stratagem - |
| Norina Norina | |
| wash my hands. | I wash my hands of it. |
| MALATESTA | MALATESTA |
| How? What is it? | Why? What happened? |
| Norina Norina (giving HIM the letter) | |
| read. | Read it. |
| Malatesta Malatesta (reading) | |
| "My Norina; | " My Norina: |
| I write to you with death in my heart. " | I write to you with death in my heart. " |
| we'll do it live. | We'll Bring Him back to life. |
| "Don Pasquale circumvented by the scoundrel ..." | "Don Pasquale, That tricked by scoundrel. . . |
| Thanks! | Thank you! |
| "from the double face of the doctor, | "... That by two-faced doctor, |
| married his sister, is | Marrying a sister of his, |
| drives me to his house, | driving me from His house, |
| finally disinherit me. | and in short, disinheriting me. |
| Amor requires me to renounce you. | Love forces me to renounce you. |
| I leave Rome today, | I leave Rome this very day, |
| and Europe as soon as possible. | and Europe as soon as possible. |
| Goodbye. Be happy. | Farewell. Be happy. |
| This is the burning my vote. | This is my heartfelt wish. |
| Your Ernesto. " | Your Ernesto." |
| The usual madness! | The usual nonsense! |
| Norina Norina | |
| But if he Party! ... | But if he leaves! |
| MALATESTA | MALATESTA |
| not start, v'accerto. | He will not leave, I Assure you. |
| In four jumps are from him, | In four steps I can be at His house, |
| of our story I put it aside, I | Bring Him Into Our plot, and |
| and remains, and with so much heart. | and he stays, with all His heart. |
| Norina Norina | |
| But this story is what do I know? | But May I know what this plot is? |
| MALATESTA | MALATESTA |
| to punish his nephew, | To punish His nephew, |
| that opponsi to his wishes | who opposes His wishes, |
| Don Pasqual hath been decided to marry. | Don Pasquale has Decided to take a wife. |
| Norina Norina | |
| Already mel you said. Already | You told me that. |
| MALATESTA | MALATESTA |
| Or well, I am your doctor, | Very well. I am His doctor. |
| seen him so firm in the proposed | Seeing HIM so firm in His plan, |
| change tactics, I changed | |
| tactics and soon your interests, and in that of Ernesto, and | Immediately, in your and Ernesto's Interests, |
| I pose a second. | I pretended to go along with HIM. |
| Don Pasquale knows I keep a sister at the convent, | Don Pasquale knows That I have a sister in a convent. |
| you pass that fo - | I will pass you off as her - |
| he does not know you - | He Does not know you - |
| and I present ere else may prevent me; | and present you before anyone anticipates me. |
| sees you and is cooked. | He will see you and be captivated. |
| Norina Norina | |
| is fine. | That's excellent. |
| MALATESTA | MALATESTA |
| Hot Hot marries you. | He'll marry you on the spot. |
| Carlotto my cousin will be our Notaro. | My cousin Carlotto will play the Notary. |
| then tap the rest of you think. | Then it's up to you to plan the rest. |
| You do despair: the old man goes crazy, | Drive HIM to desperation: if the old man goes crazy, |
| we at the discretion ... | We'll Have Him Where We Want HIM. |
| Then ... | And then. . . |
| Norina Norina | |
| Basta. I understand. | Enough. I understand. |
| MALATESTA | MALATESTA |
| should be fine. | Excellent. |
| Norina Norina | |
| I am ready, not lack purch'io | I am ready - as long as I do not betray |
| love of dear one: | my beloved's love; |
| will cheat, I scenes, I'll lay traps | , I'll play scenes - |
| I know well what I have to make. | I know very well what I have to do. |
| MALATESTA | MALATESTA |
| You know if Ernesto | You know Whether I am Ernesto's |
| are friends, and well I will, | friend and care for him; |
| only our mess tents | Our trick is only Intended |
| Don Pasquale in Corbelli. | to make a fool of Don Pasquale. |
| Norina Norina | |
| We understood. Or take commitment. | We Understand Each Other. I'll do it. |
| MALATESTA | MALATESTA |
| Part I teach you here. | Now look here, I'll teach you the part. |
| Norina | Norina|
| I want to show? | Do you want me to be haughty? |
| MALATESTA | MALATESTA |
| No. | No. |
| Norina Norina | |
| I want to trade? | Do you want me to be melancholy? |
| Malatesta Malatesta | |
| No, this is not the party. | No, That Is not the part. |
| Norina Norina | |
| I have to weep? | Do I have to cry? |
| MALATESTA | MALATESTA |
| No. | No. |
| Norina Norina | |
| Or cry? | Or Shout? |
| MALATESTA | MALATESTA |
| No, this is not the party. | No, That Is not the part. |
| been a little to listen. | Listen to me for a moment. |
| We must, to the simple little. | You need to play the ingénue. |
| Norina Norina | |
| ? | The ingénue? |
| MALATESTA | MALATESTA |
| Part I teach you here. | Now look here, I'll teach you the part. |
| Norina Norina | |
| Can I give this lesson. | I Could give lessons in it. |
| Malatesta Malatesta | |
| neck twisted, narrow mouth. | Your neck bent, your lips pursed. |
| Malatesta, Norina | Malatesta, Norina |
| proviam Or this other action. | Now let's try it. |
| Norina Norina (acting) | |
| I am ashamed ... I am an old maid ... | I'm too shy. . . I'm a maiden. . . |
| thanks ... servant ... servant, sir, yes. | Thank you. . . Your servant, yes sir! |
| MALATESTA | MALATESTA |
| Brava, brava, rascal! | Very good, you minx! |
| is fine as well. | That's excellent. |
| MALATESTA | MALATESTA |
| Neck wrong. | Your neck bent. |
| Norina Norina | |
| Like this .. | Like this. . . |
| MALATESTA | MALATESTA |
| Brava. Narrow mouth. | Good. Your lips pursed. |
| Norina Norina | |
| Like this .. | Like this. . . |
| Malatesta Malatesta | |
| Ah good. | Good. |
| Norina Norina | |
| I go, I run to the great ordeal, | I go, I hasten to the great combat; |
| my heart is d 'boldness. | My heart is full of courage. |
| At that affe old head | For Sure, That old man's head |
| this time has to whirl. | is going to spin this time. |
| M'incomincio to avenge. | I am beginning to avenge myself. |
| MALATESTA | MALATESTA |
| Yes, we run the great ordeal, | Yes, let's hasten to the great combat; |
| my heart is ready to take risks. | My heart is full of courage. |
| The arrow will not be long | Very soon we'll hear |
| iscoppiar to hear. | the thunderbolt hit. |
| At that affe old head | For Sure, That old man's head |
| this time has to whirl. | is going to spin this time. |
| Norina Norina | |
| That senile old man | That senile old man |
| contrary to my wishes in vain; | Fights Against my wishes in vain; |
| I have said and that is enough, I have | Said It, Enough, |
| the know, the vo 'dawn. | I know how to do it, I'll Succeed. |
| MALATESTA | MALATESTA |
| Shouts and whistles the storm, | The Storm Roars and whistles, |
| I see lightning, hear the thunder; | I see the lightning, I hear the thunder, the lightning |
| before long | Very soon we'll hear |
| iscoppiar to hear. | the thunderbolt hit. |
| Just think | Don Pasquale Don Pasquale Thinks |
| little bite of that time | what stormy weather |
| be prepared at this point is even now | Preparing |
| on his head to ruin. | to dash upon His Head. |
| Norina Norina (acting) | |
| Serva, thank you, thank you, Your servant | , thank you, thank you, |
| servant, Sir, yes ;! | your servant, yes sir! |
| MALATESTA | MALATESTA |
| Brava, so that's great! | Good, that's excellent! |
| | |
| NORINA | NORINA |
| Sì, la saprò, la vo' spuntar. | Yes, I know how to do it, I'll succeed. |
| MALATESTA | MALATESTA |
| La saetta sentiremo ad iscoppiar. | We'll hear the thunderbolt hit. |
This entry was originally posted at http://opera-cat.dreamwidth.org/15490.html . There are
Friday, November 5, 2010
Can I Get Herpes On Stomach Rare?
Restez! (Don Carlos)
It looks like I won't be able to keep up the pace of a post every day, after all. Some scenes (like this one) are longer and more complicated and so take more time. Thanks to the commenters at
linguaphiles and my mother for helping me with some confusing bits. As always, any remaining mistakes are entirely mine.
Giuseppe Verdi's opera Don Carlos , first set to a French libretto in 1867, is more commonly performed in its revised Italian version, Don Carlo . In this powerful scene for bass and baritone, King Philip II of Spain (Philippe) questions Rodrigo (Rodrigue), the idealistic Marquis of Posa, and gets more than he bargained for.
* Translator's note: At this point, the King exchange from formal to intimate speech.
This entry WAS Originally posted at http://opera-cat.dreamwidth.org/15085.html . There are
comments on Dreamwidth. LiveJournal users may comment there using OpenID.
It looks like I won't be able to keep up the pace of a post every day, after all. Some scenes (like this one) are longer and more complicated and so take more time. Thanks to the commenters at
Giuseppe Verdi's opera Don Carlos , first set to a French libretto in 1867, is more commonly performed in its revised Italian version, Don Carlo . In this powerful scene for bass and baritone, King Philip II of Spain (Philippe) questions Rodrigo (Rodrigue), the idealistic Marquis of Posa, and gets more than he bargained for.
| PHILIPPE [Rodrigue will come out] | PHILIPPE [to Rodrigue, Who is about to leave] |
| Stay! | Remain! |
| [Rodrigue stops, bows on one knee before the King, then goes to him and covers himself with no sort of embarrassment. ] | [Rodrigue stops, one bows one knee Before the King, Then and Approaches HIM donations history "any kind of hat Without self-consciousness.] |
| Near my person | To my presence |
| why he never asked to be admitted? | Why Have You Never Asked to Be Admitted? |
| I like to reward those who are my friends; | I like to reward Those Who are my friends; |
| you, I know, well served my crown. . . | you have, I know, my crown Served well. |
| RODRIGUE | RODRIGUE |
| What could I envy the favor of kings, | What Could I desire from royal favor, |
| sire? I saw happy, protected by our laws. | sire? I live happily, protected by o Laws. |
| PHILIPPE PHILIPPE | |
| I very proud. . . I forgive the audacity. . . | I love Pride. . . I forgive boldness. . . |
| sometimes. . . You have forsaken my flags, | Sometimes. . . Have you left my banners, |
| and people like you, men of noble race, | and people like you, soldiers of noble family, |
| never liked the rest. . . | Have never loved idleness. . . |
| RODRIGUE | RODRIGUE |
| For my country, of a noble blood soaked, | For my country, wet With noble blood, |
| my twenty épéea once shone out of the sheath. | my sword has flashed out of twenty times icts scabbard. |
| That Spain order. . . and I take the sword. . . Let Spain | command. . . and I take up The Sword again. . . |
| but others carry the hatchet man! | to let Others wield The Executioner's axis! |
| PHILIPPE PHILIPPE | |
| Marquis! | Marquis! |
| RODRIGUE [vehemently] | RODRIGUE [fervently] |
| deign to hear me, sir! since the accident. . . | deign to hear me, sir! Since luck. . . |
| because God wanted this day in front of you | God has willed sincerethis day to lead me |
| lead me. The designs of providence, | Before You. The designs of Providence |
| not get me in vain put in your presence: | Will not Have Sent Me Into Your presence in vain |
| someday. . . you will know the truth! | one day. . . You Will Come To Know the Truth! |
| PHILIPPE PHILIPPE | |
| Talk! | Speak! |
| RODRIGUE | RODRIGUE |
| O King! I come from Flanders, the country once so beautiful! | O King! I Have just arrived from Flanders, That country ounces so beautiful! |
| This is a desert of ashes, a place of horror, a grave! | It Is No More Than a desert of ashes, a place of horror, a tomb! |
| Here, the orphan who begs and cries for roads, | There, The Orphan and begs Who Weeps Through the streets, |
| falls, while fleeing the fire, on human bones! | Fleeing from the Fire Human Remains falls over! |
| red blood river water, they roll, dead loads; | Blood redden the Water of the Rivers, They flow burdened with corpses; |
| l'air et plein des cris des veuves sur leurs époux égorgés! | the air is full of widows' wailing over their slaughtered husbands! |
| Ah! la main de Dieu soit bénie, qui fait entendre par moi | Ah! Blessed be the hand of God, who makes heard through me |
| le glas de cette agonie à la justice du Roi! | the knell of this agony to the King's justice! |
| | |
| PHILIPPE | PHILIPPE |
| bloody price that I paid the peace; | At this bloody price, I Have Bought the Peace of the World; |
| my lightning struck the pride of innovative | My thunderbolt has Struck Down The Pride Of The innovators, |
| that will plunge the people into liars dreams. . . | The People Who Go Into plunging lying dreams. . . |
| Death in my hands can become fertile! | Death, in my hands, can Become rich! |
| RODRIGUE | RODRIGUE |
| No! in vain for your thunder rumbles! | No! Your thunder Roars in vain! |
| Which arm has not stopped the march of humanity? What | arm has ever halted the Advancement of Humanity? |
| PHILIPPE PHILIPPE | |
| Mine! | Mine! |
| RODRIGUE | RODRIGUE |
| A fiery blast passed over the earth! An ardent spirit | Has Passed Across the earth! |
| He startled the whole of Europe! It has made | shake all Europe! |
| God tells you His will. . . | God Speaks His Will to you. . . |
| give your children the Liberty! Give Your Children | Liberty! |
| What new language! Ever, to the throne, | What new language! No one, near the Throne, |
| person raised his voice so loud. . . anyone! | Ever Raised His Voice so boldly. . . No one! |
| RODRIGUE | RODRIGUE |
| Give Freedom! | Give them Liberty! |
| PHILIPPE PHILIPPE | |
| Je n'avais jamais écouté cette inconnue ayant pour nom: la Vérité! | I have never heard this stranger whose name is Truth! |
| RODRIGUE | RODRIGUE |
| Dieu vous dicte sa volonté . . . donnez à vos enfants la Liberté! | God speaks his will to you . . . give your children Liberty! |
| | |
| RODRIGUE | RODRIGUE |
| [Il se jette aux genoux du Roi.] | [He falls to His knees Before the King.] |
| Sire! Sire! | Sire! Sire! |
| PHILIPPE PHILIPPE | |
| Not another word! . . . | No more! . . . |
| [within Rodrigue] | [raising Rodrigue to His Feet] |
| Get up! Your head is blonde, | Rise! You are very naive, |
| that you invoke the ghost impostor | to invoke a false phantom |
| before an old man, King of half the world. . . Before | year old man, half King of the World. . . |
| Go and keep you in my Inquisitor! | Go, and beware of my Inquisitor! |
| [Rodrigue bows and goes out. After some hesitation, Philip reminds strongly of a gesture.] | [Rodrigue bows and starts to leave. After a moment of hesitation, Philip Call Him Back With A sharply gesture.] |
| PHILIPPE PHILIPPE | |
| No. . . Moreover, child! I love your soul proud | No. . . stay, my child! Proud I love your soul, * |
| mine to you will open a whole. | and Begins to open mine to you completely. |
| You saw me in my throne, and not in my house! | You Have Seen me upon my throne, and not in my Household! |
| Everything speaks of treason. There | Everything Speak of betrayal. |
| The Queen. . . Torture me a hint! My son. . . | The Queen. . . a suspicion torments me! My son. . . |
| RODRIGUE | RODRIGUE |
| His soul is noble and pure! | His Soul Is noble and pure! |
| PHILIPPE PHILIPPE | |
| Nothing under heaven is the good he has robbed me! . . . Nothing Under | Heaven Is worth the treasure he has Robbed me of! |
| RODRIGUE | RODRIGUE |
| how dare you say? | What are you daring to say? |
| PHILIPPE PHILIPPE | |
| Ami, be our judge, will follow your advice. | Friend, Be our Judge, Will Be Followed your advice. |
| Be my guide, my refuge. . . | Be my guide, my refuge. . . |
| You are a man who alone among the human | Who You are a man alone Amidst The human crowd, |
| I put my heart in thy fair hands! I wish | to put my heart in your fair hands! |
| RODRIGUE | RODRIGUE |
| is a dream! It's a dream! | It Is a Dream! It Is a Dream! |
| PHILIPPE PHILIPPE | |
| Child! my desperate heart | My child! To my distracted heart |
| realize peace long ago banished. | restore peace has long Banished. |
| I find this blessed hour | I find in this blessed hour |
| man had long been waiting for! | the Man Long Awaited! |
| RODRIGUE | RODRIGUE |
| (What radius sky descended | (What Descended from heaven ray |
| opens my heart this ruthless? | opens to me this Pitiless heart? |
| I shudder stroke formidable | I shudder At The fearsome thunderbolt |
| on Carlos already suspended.) | Already Poised over Carlos.) |
| PHILIPPE PHILIPPE | |
| I find this blessed hour | I find in this blessed hour |
| man had long been waiting for! | the Man Long Awaited! |
| PHILIPPE [at Lerma] | PHILIPPE [to the Count of Lerma] |
| The Marquis of Posa can now enter | From Now On, The Marquis of Posa May enter |
| to my person at all times, the palace! | my presence "at any hour, in the Palace! |
| RODRIGUE | RODRIGUE |
| (Mighty God, it's a dream I shudder for Carlos!) | (Almighty God, It Is a Dream "I tremble for Carlos!) |
| PHILIPPE PHILIPPE | |
| I feel blessed at this time the man had long been waiting for! There he is! | I find in this blessed hour the Man Long Awaited! Behold him! |
* Translator's note: At this point, the King exchange from formal to intimate speech.
This entry WAS Originally posted at http://opera-cat.dreamwidth.org/15085.html . There are
Wednesday, November 3, 2010
How To Make Sweet Popcorn
Chi Mi Frena in tal momento (Lucia di Lammermoor)
"Chi mi frena in tal momento," the famous sextet from Lucia di Lammermoor . Lucy Ashton (Lucia) has fallen in love with Edgar of Ravenswood (Edgardo), whose family has been at enmity with hers. When her brother Henry (Enrico) discovers this, he does everything possible to separate the couple, including showing Lucy a forged letter that indicates Edgar has married another woman. Henry finally browbeats Lucy into a marriage with the politically well-connected Lord Arthur (Arturo). A few moments after Lucy and Arthur sign the marriage contract, Edgar bursts into the hall. Lucy faints. All present express their varied emotions.
Was This entry originally posted at http://opera-cat.dreamwidth.org/14653.html . There are comments on
Dreamwidth. LiveJournal users may comment there using OpenID.
"Chi mi frena in tal momento," the famous sextet from Lucia di Lammermoor . Lucy Ashton (Lucia) has fallen in love with Edgar of Ravenswood (Edgardo), whose family has been at enmity with hers. When her brother Henry (Enrico) discovers this, he does everything possible to separate the couple, including showing Lucy a forged letter that indicates Edgar has married another woman. Henry finally browbeats Lucy into a marriage with the politically well-connected Lord Arthur (Arturo). A few moments after Lucy and Arthur sign the marriage contract, Edgar bursts into the hall. Lucy faints. All present express their varied emotions.
| EDGAR EDGARDO | |
| (Who restrains me at such a moment? ... | (Who restrains me Such a moment? |
| Who severed the IRE course? | Who cut short the course of my anger? |
| Her grief, her fear | Her grief, her terror |
| Son evidence of remorse! | are proof ... of remorse! |
| But, what a wilted rose, | But, like a wilting rose |
| She is among death and life! ... | she stands Between life and death. |
| I am won ... I am touched ... | I am overcome. . . I am moved. . . |
| I love you, ungrateful, I love you more! ) | I love you, ungrateful woman, I love you still!) |
| ENRICO HENRY | |
| (Who holds my fury, | (Who Holds back my fury |
| And the man that the sword? | and the hand Which leapt to my sword? |
| In favor of the poor | In the unhappy girl's Behalf |
| a cry arose in my breast! | rose to cry in my heart! |
| is my blood! I have betrayed! | She is my blood! I Have Betrayed her! |
| She stands between life and death! ... She stands | Between life and death. |
| Ah! I can not turn off that | Alas, That I can not quench |
| remorse in my heart!) | the remorse in my heart!) |
| LUCIA LUCY (Reviving) | |
| (I hoped that my life | (That I hoped my terror |
| Trim had my fear ... | Would Have Ended My Life. .. |
| But death does not help me ... | But death does not help me; |
| still alive for my torment! - | I still live, for my torment! |
| Da 'light fell on my veil ... The veil | has fallen from my eyes: |
| I betrayed the earth and the sky! ... | Have Heaven and earth Betrayed me! |
| I would weep, but I can not ... | I would weep, But I can not. . . |
| Ah, I miss the tears again! ) | Even tears fail me!) |
| ARTURO, Raimondo, Alisa, CHORUS | ARTHUR, Raimondo, Alisa, CHORUS |
| (What a terrible moment! .. . | (What a terrible moment! |
| longer be the words I do not know! ... | I Can No Longer utter a word. |
| thick cloud of fear A thick cloud of | terror |
| Par covering the rays of the sun! - | Seems to cover the sun's rays! |
| Like a wilted rose Like a rose wilting | |
| She stands between life and death! ... | she stands Between life and death! |
| Who for you are not moved | Whoever is not for her | Moved
| has a tiger on his chest the heart.) | has a tiger's heart in His breast.) |
Was This entry originally posted at http://opera-cat.dreamwidth.org/14653.html . There are comments on
Monday, November 1, 2010
Why Is Blackjack So Hard
is your all my heart! (The Land of Smiles)
"Yours is my heart!" tenor aria from Franz Lehar's operetta The Land of Smiles (The Land of Smiles). This aria was written for Richard Tauber.
This entry was originally posted at http://opera-cat.dreamwidth.org/14434.html . There are
comments on Dreamwidth. LiveJournal users may comment there using OpenID.
"Yours is my heart!" tenor aria from Franz Lehar's operetta The Land of Smiles (The Land of Smiles). This aria was written for Richard Tauber.
| is your all my heart! | My whole heart is yours! |
| Unless you are, I can not be. | Where you are not, I can not be. |
| Just as the flower fades, | Just as the flower withers |
| if they do not kiss the sunshine! | when the sunshine does not kiss it! |
| is your my best song, | My most beautiful song is yours, |
| because it blossomed out of love. | since it blossoms from love alone. |
| Tell me again, my one and only, | Tell me once more, my only love, |
| oh tell me once more: | oh, tell me once more: |
| I love you love! | I love you! |
| Wherever I go, | Wherever I go, |
| I feel your presence. | I feel your nearness. |
| I want to drink your breath | I would like to drink in your breath |
| and kneel adoringly at your feet, | and fall in prayer at your feet, |
| you, you alone ! How wonderful | yours, yours alone! How wonderful |
| is your shining hair! | is your shining hair! |
| Dreamy and full of longing | Fair as a dream and full of anxious longing |
| is your radiant look. | is your bright gaze. |
| I hear the voice sound | When I hear the sound of your voice, |
| it is like music. | it is just like music. |
| is your all my heart! (Etc.) | My whole heart is yours! (Etc.) |
This entry was originally posted at http://opera-cat.dreamwidth.org/14434.html . There are
Favor Tag Wording For Baby Shower
Appressati, Lucia (Lucia di Lammermoor)
"Appressati, Lucia" -- scene for baritone and soprano from Lucia di Lammermoor .
Lucy Ashton (Lucia) has fallen in love with Edgar of Ravenswood (Edgardo), an enemy of her family. Her brother Henry (Enrico) wishes her to marry Lord Arthur (Arturo) to repair the family's political fortunes. When Lucy refuses, Henry shows her a forged letter stating that Edgar has married another woman.
This entry was originally posted at http://opera-cat.dreamwidth.org/14218.html . There are
comments on Dreamwidth. LiveJournal users may comment there using OpenID.
"Appressati, Lucia" -- scene for baritone and soprano from Lucia di Lammermoor .
Lucy Ashton (Lucia) has fallen in love with Edgar of Ravenswood (Edgardo), an enemy of her family. Her brother Henry (Enrico) wishes her to marry Lord Arthur (Arturo) to repair the family's political fortunes. When Lucy refuses, Henry shows her a forged letter stating that Edgar has married another woman.
| ENRICO | HENRY |
| Appressati, Lucia. | Approach, Lucy. |
| I hoped to see more happy in this, | I hoped to see you happier on this day, |
| on this day, that the torches of Hymen | on this day When the torches of marriage |
| light up for you. Being | are kindled for you. |
| look at me and keep quiet? | You look at me and are silent? |
| LUCIA LUCY | |
| The deadly pallor, horrible, | The deadly, fearful pallor |
| covering my face, | Which covers my face, |
| silent reproach you let it | reproach you Silently, |
| my misery, my pain. | my anguish, my grief. |
| may God forgive you | May God pardon you allarme |
| the inhuman your severity, and my pain! | your inhuman Harshness and my grief! |
| ENRICO HENRY | |
| A reason I became ' Rightly ruthless | made me cruel |
| what t'arse unworthy affection | the unworthy love you Which inflamed; |
| but silent in the past; | But let us be silent about the past; |
| are still your brother. | I am still your brother. |
| Off is the anger in my chest, | The anger in my heart is quenched; |
| you turn off the insane love. | quench your mad love. |
| noble bride - | A noble husband - |
| LUCIA LUCY | |
| stop, stop! | Stop, stop! |
| ENRICO HENRY | |
| How? | How do I know? |
| LUCIA LUCY | |
| For another man swore my faith. | I pledged my faith to Another Man. |
| ENRICO HENRY | |
| could Nol - | You Could not - |
| LUCIA LUCY | |
| Enrico ! | Henry! |
| ENRICO HENRY | |
| could Nol - | You Could not - |
| LUCIA LUCY | |
| For more swore my faith. | I pledged my faith To Another. |
| ENRICO HENRY | |
| is enough! | Enough! |
| This leaflet tells you fully | This letter tells you to the full |
| how cruel, how wicked you loved. | what a cruel man, what a villain you loved. |
| Read. | Read. |
| | |
| LUCIA | LUCY |
| Ah! il core mi balzò! | Ah! My heart leapt! |
| | |
| ENRICO | HENRY |
| Tu vacilli! | You are reeling! |
| | |
| LUCIA | LUCY |
| Me infelice! | Unhappy me! |
| ahi! la folgore piombò! | Alas! The thunderbolt has struck! |
| suffered in tears, languia in pain, I | Suffered in tears, I languished in grief; |
| the hope, life lies in a heart, | I rested my hope and my life in one heart ; |
| the moment of death has come for me! | as the moment of death has for me! |
| that is core to another infidel die! | unfaithful heart That has given Itself to Another! |
| ENRICO | HENRY |
| t'accese A mad, a faithless love | A foolish and treacherous inflamed love you; |
| betrayed your blood vile seducer, | Betrayed you your own blood for a base seducer; |
| LUCIA LUCY | |
| Oh God! | Oh God! |
| ENRICO HENRY | |
| worthy of heaven but he will have mercy: | But You Have Had A fitting reward from heaven: |
| core that is unfaithful to the other day. | unfaithful heart That has given Itself to Another. |
| LUCIA LUCY | |
| Alas! | Alas! |
| LUCIA LUCY | |
| The moment has come for me terrible, terrible | The Moment Has Come for me, |
| yes, that unfaithful to the other core will die! | yes, unfaithful heart That has given Itself to Another! |
| ENRICO HENRY | |
| t'accese A mad, a faithless love | A foolish and treacherous inflamed love you; |
| betrayed your blood vile seducer, | Betrayed you your own blood for based seducer; |
| worthy of heaven but he will have mercy: | But You Have Had A fitting reward from heaven: |
| core that is unfaithful to the other day. | unfaithful heart That has given Itself to Another. |
| LUCIA LUCY | |
| What is it! | What Can That Be? |
| ENRICO HENRY | |
| Sounds of joy you feel the shore. | You hear the resounding shore with celebration. |
| LUCIA LUCY | |
| Well? | Well? |
| ENRICO | HENRY |
| your husband arrives. Your husband | Approaches. |
| LUCIA LUCY | |
| A shiver ran through my veins! A chill ran | through my veins! |
| ENRICO HENRY | |
| prepares you to the thalamus. | The bridal bed is Being prepared for you. |
| Tomb prepares to me! The tomb is | Being prepared for me! |
| ENRICO HENRY | |
| Now this is fatal! | This is the hour of Fate! |
| LUCIA LUCY | |
| I sugl'occhi a veil! | I have a veil before my eyes! |
| ENRICO HENRY | |
| Hear me! William is off. . . | Hear me! William is dead. . . |
| we will ascend the throne, Mary - see Mary | we will ascend the throne - |
| prostrate in the dust | prostrate in the dust is |
| Seguia Part I - | Which I Followed the faction - |
| LUCIA LUCY | |
| Ah! I tremble! | Ah! I tremble! |
| ENRICO HENRY | |
| Arturo can escape from the precipice, | Arthur can hold me back from the precipice, he |
| sol - | only he - |
| LUCIA LUCY | |
| And I? | And I? |
| ENRICO HENRY | |
| save you. | You must save me. |
| LUCIA LUCY | |
| Henry! | Henry! |
| ENRICO HENRY | |
| Come to the groom. | As to your husband. |
| LUCIA LUCY | |
| For more swore. | I pledged my faith To Another. |
| ENRICO | HENRY |
| Devi salvarmi. | You must save me. |
| | |
| LUCIA | LUCY |
| Ma -- | But -- |
| | |
| ENRICO | HENRY |
| Il devi. | You must. |
| | |
| LUCIA | LUCY |
| Oh God! | Oh heaven! |
| ENRICO HENRY | |
| If you betray you, | If you can betray me, |
| my destiny is already made; | My Fate Is Already sealed; |
| m'involi you honor and life, | you rob me of honor and life, |
| you the ax about to me. | you prepare for me the ax. |
| Ne 'your dreams will see me, In your | dreams you will see me, |
| angry and menacing shadow! | an angry and menacing shade! |
| the dark bloody | That bloodstained ax |
| will always stand before thee! | will always be before you! |
| LUCIA LUCY | |
| You can see my tears, Thou who seest | my tears, |
| you who read this core, | Thou who readest my heart, |
| rejected if my pain, my grief is | if not Rejected |
| on earth as in heaven is not; | as it is in heaven on earth, |
| you take away from me, eternal God, | take from me, eternal God, |
| this desperate life, | this life without hope; |
| I am so unhappy, I am so unfortunate | |
| that death is a well- for me. | That death is a boon for me. |
| ENRICO | HENRY |
| A te s'appresta il talamo. | The bridal bed is being prepared for you. |
| | |
| LUCIA | LUCY |
| Ah! La tomba! | Ah! The tomb! |
| | |
| ENRICO | HENRY |
| Salvarmi devi. | You must save me. |
| | |
| I sugl'occhi a veil! | I have a veil before my eyes! |
| ENRICO HENRY | |
| Ah! | Ah! |
| ENRICO HENRY | |
| If you betray you, | If you can betray me, |
| my destiny is already made; | My Fate Is Already sealed; |
| m'involi you honor and life, | you rob me of honor and life, |
| you the ax about to me. | you prepare for me the ax. |
| LUCIA LUCY | |
| Ah, I take away, eternal God, | Ah, take from me, eternal God, |
| this desperate life, | this life without hope; |
| I am so unhappy, I am so unfortunate | |
| that death is a good word for me. | That death is a boon for me. |
| ENRICO | HENRY |
| Mi vedrai, ombra irata, | You will see me, an angry shade; |
| quella scure sanguinosa | that bloodstained axe |
| starà sempre innanzi a te! | will always be before you! |
This entry was originally posted at http://opera-cat.dreamwidth.org/14218.html . There are
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