credit me.
Saturday, October 30, 2010
Friday, October 15, 2010
When Your Period Comes
l'endormie (Faust)
"Vous qui faites l'endormie," Mephistopheles's aria from Gounod's Faust . Mephistopheles sings a mocking serenade outside Marguerite's house.
This entry was originally posted at http://opera-cat.dreamwidth.org/13601.html . There are comments on Dreamwidth. LiveJournal users may comment there using OpenID.
"Vous qui faites l'endormie," Mephistopheles's aria from Gounod's Faust . Mephistopheles sings a mocking serenade outside Marguerite's house.
You who made the sleepy | You Who Pretend To Be asleep, |
Do not you hear, do you | not hear, |
Catherine O, my dear, | Catherine O, my sweetheart , |
My voice and my steps? ... | my voice and my footsteps? |
So your lover calls you, your work Thus | suitor calls you, |
And your heart in the thought! ... | your heart and trust him! |
Do not open the door, my beautiful, | Do not Open the Door, my beauty, |
That ring on her finger. | Until The Ring Is On your finger. |
I love Catherine, Catherine | Whom I adore |
Why deny | Why refuses |
A lover who implores you | The Lover Who to implore you |
A sweet kiss? | Such A sweet kiss? |
So your lover beg your suitor | work Thus beseeches you |
And your heart in the thought! ... | and your heart trusts him! |
Ne donne un baiser, ma mie, | Don't give a kiss, my sweetheart, |
Que la bague au doigt! ... | until the ring is on your finger! |
This entry was originally posted at http://opera-cat.dreamwidth.org/13601.html . There are comments on Dreamwidth. LiveJournal users may comment there using OpenID.
Wednesday, October 13, 2010
Perrier Water Bad For You
Fama! Sì: l'avrete (duet from Anna Bolena)
"Oh! qual parlar fu il suo! . . . Tremate voi? . . . Fama! Sì: l'avrete," scene and duet from Donizetti's Anna Bolena (Anne Boleyn). Henry VIII (Enrico) tells Jane Seymour (Giovanna) That he wishes to dissolve His marriage to Anne and marry her.
Was This entry originally posted at http://opera-cat.dreamwidth.org/13498.html . There are comments on Dreamwidth. LiveJournal users how There May using OpenID.
"Oh! qual parlar fu il suo! . . . Tremate voi? . . . Fama! Sì: l'avrete," scene and duet from Donizetti's Anna Bolena (Anne Boleyn). Henry VIII (Enrico) tells Jane Seymour (Giovanna) That he wishes to dissolve His marriage to Anne and marry her.
[Jane returns from the Queen's chamber in agitation.] | |
JANE GIOVANNA | |
Oh! What was his speech! As I hit the heart! | Oh! How she spoke! How my heart beat! |
Betrayed perhaps I should have discovered? | I Was Betrayed Perhaps, or Could I have given myself away? |
On read my countenance would have permitted the crime? | Could she read my misdeed haves from my face? |
Ah, no, he shook softly in the chest; | No, she pressed me tenderly to her heart; |
unaware that the snake was resting close. | she Rests Not Knowing That She embraced a serpent! |
could at least portray the foot of the abyss; | If Only I Could draw my foot back from this abyss |
and make that the time course is not. | and make The Time That has passed not exist. |
Ah! my destiny is fixed, | Ah! My take is sealed, |
fixed in the sky as the supreme. | sealed in Heaven like the Last Judgement. |
[There is a knock at the door, she goes to open it] | |
Here ... here is the king ... | Here he is. . . here is the King. . . |
[Henry enters.] | |
ENRICO HENRY | |
Tremble you? ... | You are Trembling? |
JANE GIOVANNA | |
Yes, I tremble. | Yes, I am. |
ENRICO HENRY | |
What is she? | What is she doing? |
Rest. | She is resting. |
ENRICO HENRY | |
Not me. | I do not. |
JANE GIOVANNA | |
Rest I perhaps? | Do you think I can rest? Last |
this is our interview ... | Let This Be Our Last secret meeting. . . |
Finally, O Sire: I beseech you ... | The last, Sir, I beg you. . . |
ENRICO HENRY | |
And this will be. | And So It Shall Be. |
see the face of the sun we have now: We Should now show | Ourselves in the light of day: |
earth and sky have to know that I love you. | Heaven and earth must know That I love you. |
GIOVANNA | JANE |
Never, never ... | Never, never. . . |
Bury I hide my shame. | I would like to hide my shame below the earth. |
ENRICO HENRY | |
glory and the love of Henry ... | Henry's love is glory. |
And this was for Anna | It Was And I know for Anne |
eyes while England as a whole. | even in the eyes of all England. |
| |
GIOVANNA | JANE |
Dopo l'Imene ei l'era... Dopo l'Imene solo. | It was, after her marriage . . . only after marriage. |
| |
ENRICO | HENRY |
E in questa guisa m'ama Seymour? | And is this how Seymour loves me? |
| |
GIOVANNA | JANE |
E il Re così although he loves me? | And this is how the King loves me? |
ENRICO HENRY | |
ungrateful, and that you want? | Ungrateful woman, what do you want? |
JANE GIOVANNA | |
love, and fame. | Love, and my reputation! |
ENRICO HENRY | |
Fame! Yes: you and this | Reputation! Yes, you will have it, and Such |
that it shall not be equal in the world; | That it will have no equal in the world; |
all in you my light, my light of all | |
only you will spread. | will shine on you alone. |
will not rival Seymour, Seymour | will have no rival, |
as the sun has no rival. | as the sun has no rival. |
JANE GIOVANNA | |
My reputation is at the foot of the altar: | My reputation waits beside the altar; |
shame to me is elsewhere Serbia | Elsewhere shame is in store for me. |
and that air is forbidden to me, And That | altar is forbidden to me: |
heaven knows, the King knows. | Heaven knows it, the King knows it. |
Ah! true that the King hath been dear son | Ah! If it is true That I Am dear to the King, |
will honor my dear though. | my honor he will hold dearer still. |
ENRICO HENRY (offended) | |
Yes .. understand you. | Yes. . . I Understand you. |
GIOVANNA | |
JANE Oh my God! It is so much anger in you? | Oh, Heaven! And are you so angry? |
ENRICO HENRY | |
is anger and grief. | I am angry and grieved. |
JANE GIOVANNA | |
Sire ... | Sire! |
ENRICO HENRY | |
Love the King only. | You only love the King. |
JANE GIOVANNA | |
I? ... | I?! |
ENRICO HENRY | |
you just press the throne. Only the throne Interests | you. |
Anna even offered me love, too | Anne Offered me her love, |
Gazes upon the English throne, Inglese | dreaming of the throne; |
the wreath she also Ambia | she too the coveted crown |
antithrombin Aragon ... | of the haughty woman of Aragon. . . |
he had at last, but he had barely | She Had It at Last, but she barely Had It, |
that the staggered into a crown; | When It tottered on her head; |
to their detriment to his sentence, | to her downfall, to her pain, |
the other woman tried my heart. | it tempted Another woman's heart. |
GIOVANNA | JANE |
Ah! not me, not me v'offria | Ah! It Was not I who you | Offered
wrong to hurt my heart ... | This Heart That You wrongly charges. . . |
My Re melo therapy, | My King stole it from me - |
me from my King to be made. | let my King give it back. |
More unhappy Boleyn, | I will be more unhappy Than Boleyn, |
more I want to cry. | more to be pitied: |
I have a repudiation of the effort, I will | Have The pain of a divorce |
a husband nor I have offended. | HAVING offended without a husband. |
[Jane withdraws, weeping] | |
[Translator's note: At this point Henry changes from formal to intimate speech.] | |
ENRICO HENRY | |
you leave me? | You are leaving me? |
JANE GIOVANNA | |
owe. | I must. |
ENRICO HENRY | |
Stop. | Stop. |
JANE GIOVANNA | |
it not I can. | I can not. |
ENRICO HENRY | |
Listen, I want to. | Listen: I wish it. |
already is preparing the altar for you: The | marriage altar is Already Being prepared for you; |
you husband and scepter and throne. You Will Have | husband, scepter, and throne. |
JANE GIOVANNA | |
Heaven! and Anna? | Heavens! And Anne? |
ENRICO HENRY | |
I hate ... | I hate her. . . |
JANE GIOVANNA | |
Ah! Sire ... | Ah! Sire. . . |
ENRICO HENRY | |
coupling is the day to punish. | The Day Has Come to punish her. |
JANE GIOVANNA | |
Ah! what crime? | Ah! What crime? |
ENRICO HENRY | |
The blacker. The Blackest | . |
DIEMME a heart that was not his ... | She Gave Me A Heart That Was not hers. . . |
deceived ere of being his wife; | Becoming She deceived me before my wife; |
wife still deceived. | as a wife, she still deceived me. |
JANE GIOVANNA | |
And its nodes? | And her marriage bonds? |
ENRICO HENRY | |
The King dissolved them. | The King will dissolve Them. |
JANE GIOVANNA | |
By what means? | By what method? |
ENRICO HENRY | |
Only I know. | I alone know that. |
JANE GIOVANNA | |
Ah! what I dare not try ... | Ah! I do not seek to give what it May Be, |
allows Nol my heart oppressed; | my heavy heart does not let me. |
but hope I may | But let it be allowed me to hope |
that will not be of cruelty. | That it is not cruel. |
not cost me a royal bridegroom | Let not cost me a royal husband |
more remorse, please! | more remorse, in pity's name! |
ENRICO HENRY | |
Reassure the troubled heart, | reassure your troubled heart, |
in your mind calms Re ... | Have trust in your King. . . |
you may see that he is now happier | Let Him see you now even happier |
of love that it makes you. | in the love that you Makes his. |
[Henry leaves by the secret door. Jane withdraws into the Queen's chambers.] |
Was This entry originally posted at http://opera-cat.dreamwidth.org/13498.html . There are comments on Dreamwidth. LiveJournal users how There May using OpenID.
Friday, October 8, 2010
Does A Queen Mattress Fit In A Cargo Van
Je veux vivre (Roméo et Juliette)
"I want to live," soprano aria from Gounod's Romeo and Juliet (Romeo and Juliet). Before falling in love, Juliet Rejoice in Her youth and innocence.
Was This entry originally posted at http://opera-cat.dreamwidth.org/13142.html . There are comments on Dreamwidth. LiveJournal users comment May there using OpenID.
"I want to live," soprano aria from Gounod's Romeo and Juliet (Romeo and Juliet). Before falling in love, Juliet Rejoice in Her youth and innocence.
Ah! I want to live | Ah! I want to live |
In the dream | drunk in the dream Which intoxicate me |
that day again! | stills for this one day! |
Sweet flame | Sweet Flame, |
Je te garde dans mon âme | I keep you in my soul |
Comme un trésor! | like a treasure! |
Cette ivresse | This intoxication |
De jeunesse | of youth, |
Ne dure hélas! qu'un jour, | alas, only lasts a day, |
Puis vient l'heure | then comes the hour |
Où l'on pleure, | when one weeps, |
Le coeur cède à love, the Heart | yield to love, |
And happiness fled forever! | Flees and happiness, never to return! |
Ah! I want to live | Ah! I want to live |
In this dream that intoxicates | in this dream Which intoxicate me |
long while yet! | for a long time "still! |
Sweet flame | Sweet Flame, |
I keep you in my soul I keep | you in my soul |
Like a treasure! | Like a treasure! |
Far from the gloomy winter, | Far from the sullen winter, |
Let me sleep, let me sleep | , |
And breathe pink | and breathe in the rose's scent |
Before the pluck. Before | icts scattering petals. |
Ah! Gentle flame | Ah Sweet Flame, |
remains in my soul | stay in my soul |
Like a sweet treasure | like a sweet treasure |
Longtemps Encore! | for a long time still! |
Ah! Comme un trésor | Ah! Like a treasure |
Longtemps Encore! | for a long time still! |
Was This entry originally posted at http://opera-cat.dreamwidth.org/13142.html . There are comments on Dreamwidth. LiveJournal users comment May there using OpenID.
Spanish Receptoin Card
Israele, che vuoi? . . . Se pur Guinigi a trucidarlo (Marino Faliero)
"Israel, do you want?... Even if you come to kill him," baritone / bass duet from Donizetti's opera Marino Faliero . This work, set in Venice, is loosely based on historical events. In this scene, Israele Bertucci urges the Doge to join a conspiracy.
Note: I have used the text of the scene as performed on the CD No Tenors Allowed by Thomas Hampson and Samuel Ramey, which may vary from other versions of the libretto. (An excellent CD, by the way!)
This entry was originally posted at http://opera-cat.dreamwidth.org/12891.html . There are comments on Dreamwidth. LiveJournal users may comment there using OpenID.
"Israel, do you want?... Even if you come to kill him," baritone / bass duet from Donizetti's opera Marino Faliero . This work, set in Venice, is loosely based on historical events. In this scene, Israele Bertucci urges the Doge to join a conspiracy.
Note: I have used the text of the scene as performed on the CD No Tenors Allowed by Thomas Hampson and Samuel Ramey, which may vary from other versions of the libretto. (An excellent CD, by the way!)
FALIERO | FALIERO |
Israele, che vuoi? | Israele, what do you wish? |
| |
ISRAELE | ISRAELE |
Chiedo giustizia contro il patrizio Steno. I seek justice | Against the patrician Steno. |
FALIERO | FALIERO |
I get revenge from 'your wrongs? | From me you seek vengeance for your Wrongs? |
ISRAEL ISRAEL | |
s up to you. | It is awaited from you. |
FALIERO | FALIERO |
But my own offenses go unpunished, | But my own injuries go unpunished, and I |
negan justice. | andThey deny me justice. |
ISRAEL ISRAEL | |
So there can be no other party that the arms? | Then there is no other solution Than taking up arms? |
I have a heart and a dagger for revenge. | I have a heart, and a dagger to avenge myself. |
FALIERO | FALIERO |
even if you come to kill him, | Even if you Succeed in killing HIM, |
do a Sven and depraved one thousand | strike down one of Them and a thousand corrupt men |
rise to avenge him. | will rise to avenge HIM. |
of you trembling slaves, | Which of you murmuring slaves |
of Forty all'ardimento, | Against The boldness of the Forty |
who can ever resist? | Will Be Able to resist? |
ISRAEL ISRAEL | |
arise in a flash | There Will Arise in a flash |
Steno to punish the unjust, to punish the | Steno guilty, |
disgrace of his country, | the Dishonor of Our Country, |
one thousand and a thousand swords heroes | a thousand blades and a thousand heroes; |
Sorgane the depraved even a thousand, | yet let the corrupt men laughed in Thousands, |
all will fall or I'll fall. | They all will fall or let me fall. |
FALIERO | FALIERO |
defense will miss the wicked? Tell. | Will the impious men Lack Defenses? Tell me. |
ISRAEL ISRAEL | |
Mancheran daggers at us? Will we | Lack daggers? |
FALIERO | FALIERO |
it a faint, and Sorgon thousand. | strike down one of Them, and a thousand laughed. |
ISRAEL ISRAEL | |
Cadran all, or I'll fall, yeah. | They will fall down or let me fall, yes. |
FALIERO | FALIERO |
Ne 'your words start a mystery, speaks. | You have a secret in your words, speak. |
ISRAEL ISRAEL | |
Al Doge, or Faliero? | To the Doge, or to Faliero? |
FALIERO | FALIERO |
the Doge vanished. | The Doge is gone. |
ISRAEL ISRAEL | |
friend will reveal the great mystery. | I will reveal the great secret to my friend. |
FALIERO | FALIERO |
, speak. | Speak, tell me. |
ISRAEL ISRAEL | |
Already the star of the Lion proud abborito dark. . . | abhorred The star of the proud Lion Already darkens. . . |
FALIERO | FALIERO |
Silence. . . In these walls | Silence. . . Within These Walls |
there who can listen to it. | Could someone overhear us. |
is backward. . . have accomplices? And to overthrow | HIM. . . Do you have accomplices? |
ISRAEL ISRAEL | |
The sword, my courage | My sword, my courage |
and suffered injuries, and | We have the injuries Suffered, |
past every outrage, outrage | Every past, |
Ten of the arrogance, the arrogance of the | Ten |
people's pain. | the grief of the people. |
FALIERO | FALIERO |
are private yearnings | Private grievances are |
repressed in every heart; | suppressed in Every Heart; |
but to save Venice But to save Venice | |
am not yet quite sufficient. | They still are not enough. |
ISRAEL ISRAEL | |
No? | No? |
FALIERO | FALIERO |
No. | No. |
ISRAEL ISRAEL | |
No? . . . Bastan not the wickedness of the wicked go unpunished? | No? . . . The vileness of unpunished traitors is not enough? |
FALIERO | FALIERO |
No. | No. |
ISRAEL ISRAEL | |
. . . many tears shed? | . . . I shed many tears That Have Been? |
FALIERO | FALIERO |
No, Bastan. | No, it is not enough. |
ISRAEL ISRAEL | |
thalami I betrayed? The marriage beds | Violated? |
FALIERO | FALIERO |
are tremendous cravings, | They are terrible grievances, |
who devour every heart, Which Makes You | Every Heart, |
but to save Venice | But to save Venice |
am not yet quite sufficient. | They still are not enough. |
ISRAEL ISRAEL | |
No? | No? |
FALIERO | FALIERO |
No. | No. |
ISRAEL ISRAEL | |
No? . . . | No? . . . |
do not deserve the infamy | The undeserved slander |
of your wife, and the shame of the Doge, | of your wife, and the Doge's shame, |
quell'obbrobrio and he held your forehead? | and the disgrace Which your head covered? |
FALIERO | FALIERO |
Ah, memories! | Ah, what you recall! |
ISRAEL ISRAEL | |
shocked by so many injuries do not you wake up yet? Such Great | Stirred by injuries, you still do not awaken? |
FALIERO | FALIERO |
Ah, what reproach! Oh mad! | Ah, what a reproach! Oh fury! |
ISRAEL ISRAEL | |
not enough? Ah, say! | Is it not enough? Ah, speak! |
FALIERO | FALIERO |
(Steno Oh! Oh, shame!) | (Steno O! O my shame!) |
FALIERO | FALIERO |
(hate, anger, I hear you, hear you, | (Hatred, wrath, I hear you, I heed you! |
ah, not in vain cries, | Ah! You do not cry for vengeance in vain; |
the fate of his country is impatient, | my country's destiny Hastens forward, |
the order of the tyrant will fall.) | the tyrant's power Shall Fall.) |
ISRAEL | ISRAEL |
(silent and think if the whole crop, | (He is silent and considers, Entirely wrapped in His own thoughts; |
be meditating and murder and revenge | he is contemplating slaughter and vengeance. |
one hundred patients perceive, in that face, I read | a hundred emotions in His Face: |
anger, indignation, rage, pity.) | anger, scorn, fury, pity.) |
ISRAEL ISRAEL | |
on and solve problems. | Come, decide. |
FALIERO | FALIERO |
At the ball come into the homes of Leoni, | Come to the ball at Leon's house; |
there she reveals your samples, there | reveal to me your champions, who are |
their names. | how many there are and Their Names. |
ISRAEL ISRAEL | |
not hope that I reveal a name, | Do not expect me to reveal a single name, |
until your is not pristine. | as long as yours is not the first. |
FALIERO | FALIERO |
Osi much? | Do you give so much? |
ISRAEL ISRAEL | |
Osai even more by your side one day fist. . . | I DARED still more, fighting at your side oz. . . |
Faliero Ah! Where is your sword | Ah, Faliero! Where is your sword |
that saved the country then? | Our Country Which saved then? |
Anco now begs a sword. . . Now Once More | she pleads for a sword. . . |
FALIERO | FALIERO |
Yes! will have to Falier! | Yes! She Shall Have The Sword of Falier! |
ISRAEL ISRAEL | |
That's Falier? The sword of | Falier? |
FALIERO | FALIERO |
Yes! | Yes! |
FALIERO | FALIERO |
or Steno Tremble, tremble, proud, | Tremble, Steno, tremble, proud men; |
reached at last the 'coveted moment, | as the Desired moment has at last; |
Faliero honor outraged | Faliero's offended honor |
will cost you blood. | will cost your blood. |
winners, or pierced the trial | To be victorious or slain in battle, |
aloud of honor calls us | the noble voice of honor calls us; |
us glory promises fame | glory promises us the hunger |
that death can not steal. Which | death can not take from us. |
ISRAEL ISRAEL | |
Yes! Faliero from each arm depends | Yes! Every arm relies on Faliero; |
Ah, hasten the time desired, | ah, let the moment Desired hasten; |
every moment will be avenged, | Every Moment will be avenged, |
the wicked will be punished. | the impious Steno Shall be punished. |
winners, or pierced the trial | To be victorious or slain in battle, |
aloud of honor calls us | the noble voice of honor calls us; |
glory promised to us | fame glory promises us the hunger |
that death can not steal. Which | death can not take from us. |
This entry was originally posted at http://opera-cat.dreamwidth.org/12891.html . There are comments on Dreamwidth. LiveJournal users may comment there using OpenID.
Braun 5790 How To Replace Battery
ICSEEEEESSSSSSSSSEEEEEEEEEEEEEEEEEEEEEEEE
Good day, and here we are the last part of the RL so ; wanted by my "daughter" (no more grandson, I have adopted) ... Ok, it is obvious that with this I did not close the REBORN / LAMB, I'm always looking, ok?
Well, the last 9.
Four
Pairing: RL, DinoLambo, RebornHibari
Language: Japanese
Author:
Kanegae Showko Type: R18
Download:
www. mediafire.com /
Roman Holiday
Pairing:
RLColo
Language: English
Author: Good day, and here we are the last part of the RL so ; wanted by my "daughter" (no more grandson, I have adopted) ... Ok, it is obvious that with this I did not close the REBORN / LAMB, I'm always looking, ok?
Well, the last 9.
Four
Pairing: RL, DinoLambo, RebornHibari
Language: Japanese
Author:
Kanegae Showko Type: R18
Download:
www. mediafire.com /
Roman Holiday
Pairing:
RLColo
Language: English
Kanegae Showko
Type:
R18
Download: www.mediafire.com/
School Dayz
Pairing:
RL, R18 Language: English
Author:
Kanegae Showko Type : R18
Download:
www.mediafire.com/
Spell Magic
Pairing: RL
Language: Japanese
Author:
araaragumi Type: R18
Download:
www.mediafire.com/
The Hitman Who Loved Me
Pairing: RL
Language: English
Author:
Kanegae Showko Type: R18
Download:
www.mediafire. com /
RR200512-200608
Pairing: RL
Language: Japanese
Author:
Kanegae Showko Type: R18
Download:
www.mediafire . com /
Welcome to our House
Pairing: RL
Language: Japanese
Author:
(?) Type: R18
Download:
www.mediafire.com/
Addios, I go.
Download: www.mediafire.com/
School Dayz
Pairing:
RL, R18 Language: English
Author:
Kanegae Showko Type : R18
Download:
www.mediafire.com/
Spell Magic
Pairing: RL
Language: Japanese
Author:
araaragumi Type: R18
Download:
www.mediafire.com/
The Hitman Who Loved Me
Pairing: RL
Language: English
Author:
Kanegae Showko Type: R18
Download:
www.mediafire. com /
RR200512-200608
Pairing: RL
Language: Japanese
Author:
Kanegae Showko Type: R18
Download:
www.mediafire . com /
Welcome to our House
Pairing: RL
Language: Japanese
Author:
(?) Type: R18
Download:
www.mediafire.com/
Addios, I go.
Thursday, October 7, 2010
Hardy Weinberg Problems And Answers
Help me realize?
Boys. I took the bronchitis.
So I know it's terrible to think of such arguments, even if it is in times like this but I have recently seen a program that made me think something extremely disturbing or death.
I'm not going to die, quiet. But I thought, there are things that I would absolutely do before you die ... but I'm afraid of forgetting. So I'd like to make a list of all those who want to do. I will give a limit of 100. And some I've already made.
Boys. I took the bronchitis.
So I know it's terrible to think of such arguments, even if it is in times like this but I have recently seen a program that made me think something extremely disturbing or death.
I'm not going to die, quiet. But I thought, there are things that I would absolutely do before you die ... but I'm afraid of forgetting. So I'd like to make a list of all those who want to do. I will give a limit of 100. And some I've already made.
The 100 things I want to do before you die.
- I want to give the last review;
- I graduate, I want to go to Japan
- ;
- I want to make the specialist;
- I want to see the sunrise with the other;
- I want to go to a Karaoke Japan and singing "Truth";
-
I mean with conviction: "I could but I do not want"; - I want to go to London and look for Platform 9 3 / 4;
- I want to see the midnight sun ;
- I want to marry me;
- I want to go to an Arashi concert;
- I want to go to a concert of Lady Gaga,
- I want to go to Paris to dance in the rain under the Eiffel Tower with a beige coat and a red hat;
- I want to go to the Moulin Rouge dressed as a man;
- I want to go halfway around the world to see if it really summer
-
I want to write a story, though short, - I want to win a literary prize;
- I want to buy a camera;
-
I want to date someone who is not my boyfriend before he becomes; - I want to live alone;
- I want to live with my friend;
- I want to see a child born;
- I want to go to Spas;
- I want to do a complete treatment in a spa;
- I want to go to New York;
- I want a dramatic proposal of marriage;
-
I want to have my revenge without lifting a finger, I want to make a - Mirella trip across Europe;
- I want to volunteer abroad;
-
I want to start in competitions; - I want to start racing, I want my computer
- ;
- I want to start reading books on philosophy ;
- I want to read Madame Bouvary;
- I want to learn Korean;
- I want to learn a European language; I want to cook a
- onighiri;
- I do purikura;
- I want to say "See you in Tokyo!"
- I mean "No, I've finished exams;
- I want to be the best man someone;
- I want to be a judge for a contest;
- I want to find a lucrative job, I
- 4 / 5 children, I want
- portavestiti of FOPPAPEDRETTI;
- I want to learn to paint;
- I want to make the coast to coast in the U.S.;
- I want to see Niagara Falls;
- I want to see the aurora borealis;
- I want to say goodbye in style a day;
- I want to make a trip to the Murazzi with a small aperitif in Piazza Vittorio;
- I want to send to hell those who deserve it (or at least I have the courage);
- I want a father figure;
- I want to learn to sew from my mother;
- I want to learn to cook;
- I want to do things consistently;
- I want to learn to be ordered;
- I want to turn people down the street;
- I want to learn to laugh at some people;
- I want to go on holiday with my sisters again;
- I want to make a painting hanging in my bedroom with three panels with the words Love, Happiness, and Heart;
- I want to get rid of all my stuffed animals;
- I no longer have dental problems and lung
- I want to read the newspapers more often;
- I want to celebrate Halloween;
- I want to find my religion;
- I want the license;
- I want the car, the Giulietta;
- I want to participate actively in a world-class project;
- I want to become a mentor for someone;
- I want to become a hero in the eyes of my grandchildren, I want
- a decent photo with my sisters;
- I want to throw away the past, to accommodate the present and welcome the future;
- I want to make a dress and be admired for it;
- I want to be admired, but accessible;
- want to go to a concentration camp;
- I want to expand my horizons;
- I want to make and receive only 3 favors 1;
- want to go to a fancy restaurant fully dressed;
- want to go to Disneyland, I want an autograph
- Arashi;
- I want to walk with an umbrella in London;
- I want to be pussy, I want to translate a
- manga;
- I want to keep long hair;
- I want to learn to treat me;
- I want to buy a wedding dress with my mother;
- I want to have white teeth;
- I want to sleep only 8 hours and be rested;
- I want to be less strict with me, I want to defang
- Maya;
- I want to give good news, I want to get drunk from
- happiness;
- I want to finish that thing in that trunk, I want to throw
- diaries;
- I want to see a sunset from the hill of La Maddalena, a beer in hand and lots of fun;
- I want to go for walks in the mountains;
- I want to present to my mother, Stephanie;
- I want to make peace with my father
- I want to be like my sister Loretta.
What To Write On 21st Card
The vengeance of Hell (The Magic Flute)
"The vengeance of Hell," the Queen of the Night's aria from Mozart's opera The Magic Flute (The Magic Flute).
Was This entry originally posted at http://opera-cat.dreamwidth.org/12752.html . There are comments on Dreamwidth. LiveJournal users comment May there using OpenID.
"The vengeance of Hell," the Queen of the Night's aria from Mozart's opera The Magic Flute (The Magic Flute).
boil the hell revenge in my heart; | The vengeance of Hell boilsin my heart; |
Death and despair flame around me! | blaze death and despair around me! |
Feels Sarastro does not through you the pain of death, | If Sarastro does not feel the pangs of death through you, |
you so you no longer my daughter. | then you are my daughter no more. |
Disowned may you be forever, Abandoned may you be forever, | Be disowned for ever, be abandoned for ever, |
be smashed forever All the bonds of nature, | shattered for ever be all the ties of nature, |
if not by thee Sarastro becomes pale! | if Sarastro does not pale in death through you! |
Hear, gods of vengeance! Hort der Mutter Schwur! | Hear, gods of vengeance! Hear a mother's vow! |
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Wednesday, October 6, 2010
Suggestions For A Hedgehog Cage
Dio che vedi in core Wed (Anna Bolena)
"God, you see me in my heart... On her head... Go, miserable," soprano / mezzo-soprano duet from Act II of Gaetano Donizetti's opera Anna Bolena (Anne Boleyn).
Henry VIII of England divorced His first wife, Catherine of Aragon, in order to marry Anne Boleyn. When Anne did not bear a son HIM, Accused her of adultery and he HAD her Executed know That Could he marry for a third time. In this scene, we see a dramatic version of The Confrontation Between Anne (Anna) and her attendant Jane Seymour (Giovanna), soon to replace her as queen.
This entry was originally posted at http://opera-cat.dreamwidth.org/12521.html . There are comments on Dreamwidth. LiveJournal users may comment there using OpenID.
"God, you see me in my heart... On her head... Go, miserable," soprano / mezzo-soprano duet from Act II of Gaetano Donizetti's opera Anna Bolena (Anne Boleyn).
Henry VIII of England divorced His first wife, Catherine of Aragon, in order to marry Anne Boleyn. When Anne did not bear a son HIM, Accused her of adultery and he HAD her Executed know That Could he marry for a third time. In this scene, we see a dramatic version of The Confrontation Between Anne (Anna) and her attendant Jane Seymour (Giovanna), soon to replace her as queen.
ANNA ANNE | |
[raises his hands to heaven bows down and says.] | [She raises her hands to heaven, kneels and speaks.] |
God I see in my heart, | God who seest into my heart, |
I turn to you, O God ... | I turn to thee, or God. . . |
Se meritai quest'onta giudica tu. | Judge thou if I have deserved this shame. |
[siede e piange] | [She sits and weeps.] |
| |
GIOVANNA | JANE |
(Piange l'afflitta... | (She is weeping in distress . . . |
Ahi! come ne sosterrò lo sguardo?) | Alas! How will I meet her eyes?) |
| |
Ah! yes, the troubles of the unhappy Aragonese | Ah, yes: the sufferings of the unfortunate woman of Aragon |
not be unnecessarily Denno, | must not go unavenged, |
and me terrible pain and | terrible punishment for me |
your destination ... | severity thy decrees. . . |
But it is too terrible ... too ... | But it is too terrible, too terrible. . . |
GIOVANNA | JANE |
[draws near tears, kneels at her feet, and kisses her hand] | [She Approaches in tears, she kneels at the Queen's feet and kisses her hand] |
O my Queen! | Oh, my Queen! |
ANNA ANNE | |
Seymour! ... Return to me! ... | Seymour! You return to me! |
I obbliasti you? ... Arise ... | You Have not forgotten me? . . . Rise. |
What do I see? Pale! Tremble? ... | What do I see? You turn blades! You are Trembling? |
new misfortune to me you might go? | Do you bring me new misfortune, Perhaps? |
JANE GIOVANNA | |
Horrible ... Extreme! ... | Dreadful. . . Fatal! |
Joy can I go? | Can I bring you joy? |
Ah ... no ... m'udite. | Ah! no. . . hear me. |
These plots are hatched, that you are lost. | Have Been Such plots woven, That you are lost. |
at all costs does Franti King | At Any Cost The King wants to sever |
's unfortunate nodes that you cling to him ... | unhappythe bonds That tie you to HIM. . . |
life at least, if not the royal name, | Your life at least, if not your royal name, |
life at least, ah! you save! | ah! save your life at least! |
How? Explained. | And how? Explain. |
JANE GIOVANNA | |
I tremble to say it, but I must say. Saying | In it, I tremble, yet I must say it. |
The reaction confess, the King will melt | Confessing yourself guilty Separates you from the King |
and will evade death. | and rescues you from death. |
ANNA ANNE | |
What did you say? | What are you Saying? |
JANE GIOVANNA | |
The fate that pursues, pursues | The Which do you |
other half does not let you escape. | does not leave you Another way of escape. |
ANNA ANNE | |
and counsel you mel? | And can you advise me to do it? |
You, my Seymour! | You, my Seymour! |
JANE GIOVANNA | |
Oh, for pity's sake. | Please, in mercy's name. |
ANNA ANNA | |
shame that I buy with my life? | That I buy my life with infamy? |
Seymour And you, you can counsel mel? | And you, Seymour, can you advise me to do it? |
JANE GIOVANNA | |
And infamy and death, will you? Do you want | Both infamy and death? |
Regina, oh heavens, give in! | My Queen, oh heaven, give in! |
There advises the King .. | The King advises you know. . . |
I conjure the wretched | and she begs you know, the ill-fated woman |
the love of Henry that he intended the throne. | Whom Henry's love has Destined for the throne. |
ANNA ANNE | |
Oh! Who is she? You know? Speech. | Oh! Who is she? Do you know her? Speak. |
ell'ebbe You dare to recommend a cowardice? ... | She Had the boldness to advise me to action-based? |
his cowardice to the Queen! ... | A basic action, to her Queen! |
speaks: who is she? | Speak: who is she? |
JANE GIOVANNA | |
[sobbing] unhappy. | [with a sob] An unhappy woman. |
ANNA ANNE | |
And face this myself. | And I know she has made me. |
burdens on his head a God | Upon her head May God make Heavier |
punishing his arm. | His avenging arm. |
JANE GIOVANNA | |
Ah! He listens. | Please! Listen to me. |
ANNA ANNE | |
In my par, | As much as mine, |
is the vile broken his heart. | May be tormented her vile heart. |
JANE GIOVANNA | |
Ah! forgiveness! | Ah! Pardon! |
ANNA ANNE | |
Both aspired to the crown of thorns horsehair. | May the longed-for turn to thorns crown upon her brow. |
JANE GIOVANNA | |
Forgive me! Play. Ah! hear me out of pity. | Pardon! Listen. Please! In mercy's name listen to me. |
ANNA ANNE | |
[with growing fury. Joan gradually loses its way] | [with growing fury. Gradually Jane Becomes Overwhelmed] |
on the pillow of the royal bed | Upon the pillow of the royal bed |
both the theme and suspicion ... | be fear and suspicion. |
Among her debts and her husband guilty | Between her and her husband guilty May there rise |
my menacing specter ... | my threatening specter. |
It was granted me the ax, the ax Granted | And to me, |
more cruel, to deny the King the King | May, more cruel, deny it to her. |
GIOVANNA | JANE|
(Ria sentence! I die ...) | (A bitter sentence! I am dying...) |
Ah! ceases, ah! stop, please! | Ah, stop, please stop, in mercy's name! |
[bowing and clasping his knees to Anna] | [kneeling and embracing Anne's knees] |
ANNA ANNE | |
You! ... I listen to! | You! . . . What do I hear! |
JANE GIOVANNA | |
Ah ... yes, prostrate at your feet is the traitor. | Ah! Yes, the traitress is kneeling at your feet. |
ANNA ANNE | |
My rival !!... | My rival! |
JANE GIOVANNA | |
But tormented by guilt ... and unhappy. But | Tortured by remorse, and unhappy. |
ANNA ANNE | |
You! Escape ... Flee ... | You! Begone. . . begonias. |
JANE GIOVANNA | |
Ah! forgiveness. | Ah! Pardon. |
ANNA ANNE | |
You! My rival! God! | You! My rival! God! |
You? you? Seymour? My rival! | You? You, Seymour? My rival! |
JANE GIOVANNA | |
Ah! no: forgiveness | Ah, no! Pardon: |
from my heart I'm punished. | I am punished by my own heart. |
[with growing passion. Anna gradually softens] | [with growing emotion. Gradually Anne relents] |
Inexperienced ... flattered ... | Inexperienced. . . deceived. . . |
I was seduced. . . | I was Seduced. . . |
ANNA ANNE | |
Ella! my rival! Ah! she! God! | Her! My rival! God! |
JANE GIOVANNA | |
I love Henry, and I blush ... | I love Henry, and I am ashamed of it. . . |
My punishment is this love ... | This love is my punishment. |
ANNA | ANNE |
Escape! | Begone! |
JANE GIOVANNA | |
moan and cry, and my tears | I sigh and weep, and tears by my |
suffocated love is not . | love is not extinguished. |
ANNA ANNE | |
Arise! ... Ah! Arise ... He deserves only | Rise! Ah, he laughed! He alone is guilty |
who lit this flame in you. Such | who kindled a flame in you. |
[the rises and embraces her] | [She raises Jane and Embraces her.] |
It ', unhappy, and shall bear thee | Go, unhappy woman, and take with you |
forgiveness Boleyn: | Boleyn's pardon: |
in my grief and blind rage and blind | raging in my grief, |
t'imprecai terrible suffering ... Invoked | The terrible punishment upon you. . . Your |
I ask God or grace, | Now I ask God's grace for you, |
and will be granted to me. | and It Will Be Granted to me. |
you stay in this farewell | Let Remain for you in this farewell |
my love, my pity. | my love and my pity. |
JANE GIOVANNA | |
Ah! lose is your worst | Ah! Your pardon is worse |
of anger I feared, | Than Which I feared the scorn, |
punisher leave me a throne | you leave me a throne to punish me |
which I am guilty of the crime. | for the crime of Which I am guilty. |
there waiting for me a just God, a just God | There Awaits me, |
that no pardon for me. | who has no pardon for me. |
Ah! Primiero is this embrace | Ah! This embrace is the first |
de 'torments that gives me. | of the torments He gives me. |
| |
[Anna rientra nelle sue stanze. Giovanna parte afflittissima.] | [Anne retires into her rooms. Jane leaves in the greatest distress.] |
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Tuesday, October 5, 2010
Nail Designs/rasta Sets
Dieu, tu semas dans nos Ames (duet from Don Carlos)
Verdi's opera Don Carlos was originally performed in French, but is better known in its Italian version, Don Carlo . This time, I have chosen to translate the French version of this duet, in which Rodrigue tries to console his friend Don Carlos for the arranged marriage of his beloved Elisabeth to Carlos's father King Philip. The two men swear eternal brotherhood and devotion to the cause of liberty. The Italian version is "Dio, che nell'alma infondere." In my opinion, this duet deserves to be better known. It may well be the most beautiful tenor/baritone duet I am familiar with, the only rival being "Au fond du temple saint" from Bizet's The Pearl Fishers .
I have omitted some background lines sung by the chorus and the Monk.
This entry was originally posted at http://opera-cat.dreamwidth.org/12269.html . There are comments on Dreamwidth. LiveJournal users may comment there using OpenID.
Verdi's opera Don Carlos was originally performed in French, but is better known in its Italian version, Don Carlo . This time, I have chosen to translate the French version of this duet, in which Rodrigue tries to console his friend Don Carlos for the arranged marriage of his beloved Elisabeth to Carlos's father King Philip. The two men swear eternal brotherhood and devotion to the cause of liberty. The Italian version is "Dio, che nell'alma infondere." In my opinion, this duet deserves to be better known. It may well be the most beautiful tenor/baritone duet I am familiar with, the only rival being "Au fond du temple saint" from Bizet's The Pearl Fishers .
I have omitted some background lines sung by the chorus and the Monk.
DON CARLOS ET RODRIGUE | DON CARLOS AND RODRIGUE |
God, you SEMAS in our souls | God, you Scattered in our souls |
A ray of the same flames, a gleam of | The Same fires, |
the same love exalted, exalted | The Same Love, |
The love of liberty! | the love of liberty! |
God, our hearts sincere | God, Who of Our sincere hearts |
Ace made the hearts of two brothers, has made | The Hearts of Two Brothers |
Accepts our oath! | Receive Our vow! |
We die loving us! | We Will Die Loving Each Other! |
Ah! God, you SEMAS in our souls, etc.. | Ah! God, you Scattered in our souls, etc.. |
RODRIGUE | RODRIGUE |
are! | Here They Are! |
DON CARLOS DON CARLOS | |
I shudder! I am dying at the sight! | I tremble! I am dying At The sight of her! |
RODRIGUE | RODRIGUE |
Courage! | Have courage! |
DON CARLOS DON CARLOS | |
It is his, great God! She Is His | , great God! |
I 've lost! | I Have lost her! |
RODRIGUE | RODRIGUE |
Come near me | Come near me |
your heart will be stronger! | your heart will be strong! |
AND DON CARLOS DON CARLOS | RODRIGUE AND RODRIGUE |
Let us be united for life and death! | Let Us Be united in life and death! |
Dieu accepte notre serment | God, receive our vow |
De mourir en nous aimant! | to die loving each other! |
Soyons unis pour la vie et la mort! | Let us be united in life and death! |
Liberté! | Liberty! |
This entry was originally posted at http://opera-cat.dreamwidth.org/12269.html . There are comments on Dreamwidth. LiveJournal users may comment there using OpenID.
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